Clarks Desert Boots

The Fast Show – a UK TV show from the mid-1990’s  – had a wealth of characters created by Charlie Higson and Paul Whitehouse – amongs others. One particular favourite was “Louis Balfour” – played by John Thomson – who was the oh so slightly pretentious presenter of “Jazz Club” with a catchphrase – when all else failed – of “Nice!”. You rarely got to see his feet but my bet is that he would’ve worn Clarks Desert Boots

See here a sample of Jazz Club The Best of Louis Balfour’s Jazz Club

Now you have to follow this, Louis was cut from a very similar cloth to a couple of Art Masters at my last school. They insisted on being called “Chris” and “Steve” as indeed I suspect they were their real names and as 6th Formers it seemed odd to continue with “Sir”. They wore corduroy jackets – in brown and country green – one with contrasting leather elbow patches – they had a penchant for practical Farah Hopsack trousers – don’t ask – and each had several pairs of iconic Clarks Desert Boots.

Quite what desert there were planning to cross in leafy Cheshire was uncertain but none the less these two were simply the coolest guys in the school.  “Steve” with his long hair even drove a late reg VW Beetle – click here to our previous post Volkswagen Beetle – an icon re-imagined – you can imagine he was already ice cool to me.

Assured not to be bitten by scorpions nor rattle snakes, Clarks Desert Boots to this day are an iconic and a highly flexible wardrobe essential that you can wear with jeans, moleskins or chinos and they will always look the part. Just avoid wearing in the rain – they are suede and, after all, are intended for deserts!

C. & J. Clark International Ltd, (“Clarks”) was founded in 1825 by Quaker brothers Cyrus and James Clark in Street, (Somerset, England) where its HQ is still based – although manufacturing is now predominantly undertaken in Asia. Clark’s continues to be 84% family owned.

Since 1879 the Clark’s trade mark has been the distinctive Glastonbury Tor with the St Michael’s tower.

The Desert Boot was launched in 1950 having been designed by the co-founders, James’, great-grandson, Nathan Clark, a serving British Army Officer based in Burma. It is said that the Desert Boot was based on the unlined boots made in the bazaar’s of Cairo for returning British Army Officers during the Second World War.

Post War the Desert Boot saw adoption by the Mod Culture in UK, the Beatnik Culture in the US and were known to be a favourite of the Student anit-capitalist demonstrations in Paris in May 1968.

Why not be like Steve McQueen or Liam Gallagher and get a pair of Clarks original Desert Boots – please click the links below the images below to be directed to AMAZON – the two links show the full colour range available.

Clarks Desert Boot, Men’s Derby, Braun (Cola Suede), 10 UK

Clarks Originals Desert Boot, Men’s Derby Lace-Up, Brown (Brown Sde), 9 UK 43 EU)

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Images courtesy of C & J Clark International Limited

Iconic Beach Cars

As many return from overseas holidays, stay-cations and City breaks I wanted to send a “wish you were here” digital postcard – also my 300th Aestheticons post – from a wonderful visit to France’s Cote d’Azur, more particularly, the iconic French beach-side town of St Tropez with it’s simply beautiful pastel shaded port.

Fame was assured for this picturesque coastal town when the 1950’s French actress, Brigitte Bardot, born in 1934 and still a local resident at Baie des Canebiers, featured in the 1956 Roger Vadim directed and ground breaking “And God Created Woman” (“Et Dieu Crea la Femme”). Mdme. Bardot’s impact on the region has been honored by local baker “Senequier” who in 1956 launched the delicious “La Tarte Tropezienne”, a delicate almond cream filled brioche topped with powdered icing sugar and chopped pistachio.

Shot on location in and around St Tropez the film also provided a springboard for the world renowned beach club/restaurant “Club 55” that was founded from a dilapidated beach shack by the parents of current owner, Patrice de Colmont, who provided food for the cast and crew of filmmakers. Rumored to have recently been offered €30m for his iconic beach club M Colmont is understood to have politely turned down the offer as he preferred not to become one of his clients eating the signature dish of “Panier des Crudites” with anchoiade mayonnaise!

The town’s along this stretch of the Cote D’Azur are each rather distinct and have their own style. The beach is never far from people’s minds as they negotiate, sometimes to the frustration of the locals, the summertime traffic of fellow tourists.

Naturally in this style capital it is vital to get your beach or port transport right. For those not seeking to impress in the vast array of American muscle cars that are to be spotted in many locations, my preference is to celebrate the more quirky and classic vehicles.

Aestheticons readers will already know of my passion for the GRP bodied Citroen Mehari – see our previous post here – Citroën Méhari – A reliable French classic that is patriotically supported and really enjoyed in St Tropez and its surrounding villages.

The Mini Moke, which has the look of a vehicle that was designed for the breeze of the Cote D’Azur, is a very popular ride either to the beach or to park up alongside a visiting boat transporting provisions for a day at sea. For the the right clients it is possible to rent one of these wonderful and iconic cars for your stay. See our previous posts here – Mini Moke Goes Electric .

Closer to the original Mini, I have seen parked in Grimaldi Village, a beach version with wicker seats and no doors, called the “Austin Mini Beach”. It was very beautiful and, I understand, extremely valuable! See our previous post here celebrating the iconic Mini – Mini – the best selling car in Britain

The third leaf of this Fleur de Lys of wonderful beach and port transport is the Ghia designed Fiat Jolly based on the equally iconic Fiat 500 – see our previous post here – Fiat 500 – 1957-2017

Seemingly one of the most valuable of these iconic beach cars price points of $100,000 have been mentioned for these basket weave seated, frilled canopied expressions of Italian style.

Greek shipping tycoon Aristotle Onassis is said to have had and loved his Fiat Jolly.

In 2108 this charming little car celebrated its sixtieth anniversary and to coincide the guys at Fiat commissioned Garage Italia to produce a reimagined version of the Jolly, limited to 1958 editions, and called the Fiat Spiaggina.

Image Credits – used with grateful thanks – Hemmings Car Auctions and Garage Italia/FIAT

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Fiat Barchetta

 

The other day I was following a Fiat Barchetta and was reminded of what a pretty and glamorous little car this particular Fiat was. It was in metallic grey with an open burgundy roof. It was in fantastic condition, gleaming chrome and clean paint, with its hood down, wind blowing through the driver’s hair it looked very cool.

There is a growing trend amongst classic car magazines to try to predict those cars that will be future collectibles, that unlike regular vehicles will either hold or  increase their value over a period of time. For me the smart thing to do would be buy a low mileage, well maintained Fiat Barchetta, mothball it, as I have a hunch that this car may well become one such vehicle – a classic.

As someone keen on the evolution of trade marks the “Barchetta” is somewhat enigmatic. Simply in Italian “Barchetta” is a way of saying small boat. Giovanni Canestrini the Editor of “La Gazzetta dell Sport” is credited with the origin of the name in the 1940’s. Initially in the name was used by Ferrari, Maserati and the lesser known manufacturer, Moretti, who all produced open top race cars.

In 1948 and 1949 a Ferrari 166MM – based on the earlier competition Barchetta called the 166S of which only 39 were made – won the Mille Miglia, the endurance race set in Northern Italy which ran from 1927 to 1957 – only being halted by War.

In 1966 Abarth produced the 1000SP Barchetta – a track success. In 1991 Maserati produced seventeen Barchettas for the track. In 2001 Ferrari released their stunning 550 Barchetta Pininfarina to celebrate the 70th anniversary of the stellar – now Mahindra owned – Turinese design house.

Whilst this extensive use of a distinctive name would be manna from Heaven for the trade-mark lawyers I suspect the fact that the majority of the dramatis personae in this particular performance were either owned or co-owned by the Turin giant “Fiat” is probably the simplest answer to the lack of any dispute.

Using the project name “Tipo B Spider 176” between 1990-94 Fiat’s in house Centro Stile team comprising primarily Andreas Zapatistas, Alessandro Cavazza and Peter Barrett Davis conceived and developed the Fiat Barchetta. With a 1,747 cc DHOC petrol engine it was based on the chassis of Fiat’s Mark 1 Punto.

It was first released in February 1995 and is classically Italian in styling. It draws from both the Fiat 124 – see our earlier posts on this iconic sports car –  Fiat 124 Sport Spider – a re-imagined icon   – and the earlier Ferrari 166MM.

Production ceased in  June 2005 with a final production run of around 57,700 cars.

So, back to my suggestion of an investment in this beautiful Italian sports car. A simple but limited search on the internet shows that low mileage examples – under 100,000 Kms – particularly LHD – currently go from around €3,000 to €5,000.

Images – with grateful thanks – courtesy of Sylvia Druet, Ferrari and Fiat Chrysler SpA.

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Alfa Romeo 1300 Duetto – For Sale

Many of us will dream of owning a Sunday Car – a preferred classic car – that can be enjoyed in the right climate but for a limited amount of time. The aim is not to add materially to the mileage whilst ensuring that it works well when needed with  minimal trips to the mechanic. The dream is for you and your nearest to enjoy, pose a little, relax and breathe.

One of my clear favourites in this precise category is the Alfa Romeo 1300 convertible. I have celebrated this wonderful vehicle on several occasions in the columns of Aestheticons. Please click on the highlighted following links to read our previous posts – Alfa Romeo Spider and Alfa Romeo Giulietta Spider

The difficulty for many of our UK based readers is the availability of good stock of this beautiful car in Right Hand Drive. Well here’s a potential solution.

The guys at the amazing Swiss-run curation site – in a nutshell comprising classic cars and associated lifestyle – Classic Driver –  Classic Driver – are busy celebrating their 20th anniversary with 20 Limited Edition Aston Martin DB11! Yes they launched in 1998 on the internet, geez I have shoes older –  Church’s Brogues . They are also currently running a campaign for an auction to take place on 7th July 2018 and by Historics at Brooklands. One particular vehicle to feature at this sale is a red – is there any other colour – 1970 Alfa Romeo 1300 – Alfa 1300 Convertible  – It carries a guide price/estimate of between £22,000 – £27,000. My feeling, whilst I am rubblish at valuations, is that looks like a particularly good sweet spot to kick off the innumerable pleasures of owning a classic car and enjoying classic motoring.

As many will know the Brooklands Museum is a venue particularly close to my heart – please see my previous post Mike Hawthorn – 1958 Formula One World Champion.

This charming example of the Alfa Romeo Duetto is a right hand drive version and pre-dates the rather challenging era of added rubber bumpers that, in my view, detrimentally affected the aesthetics of this wonderful car in later models.

STOPPRESS – Don’t know if you have yet had a chance to look at the listings for the Historics at Brooklands auction on 7th July 2018? A deeper study of what’s on offer has disclosed another classic Alfa Romeo – this time a left hooker – with an estimated value at between £50,000 to £60,000. A 1290cc 1957 Alfa Romeo Giulietta – simply one of the most stunning Alfas ever made.

 

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Image credits – with grateful thanks – Classic Driver and Historics at Brooklands https://www.historics.co.uk

 

Mike Hawthorn – 1958 Formula One World Champion

 

At the weekend, with a couple of my kids, I visited the Brooklands Museum – see the Museums website here  – Brooklands Museum in Weybridge Surrey the home of British Aviation and early Motor Racing. My late father had been an early Trustee of the Museum assisting it to secure substantial support from Shell, his former employer. I am told there is a plaque to his memory on site but, sadly, we couldn’t locate it.

My father was a very keen follower of Motor Racing, he ran part of Shell’s  commitment to sport and visited tracks all over the world in the 1970’s and 80’s. As kids we even lived in the village of Silverstone.

Prior his early years in the Army and then in commerce in Africa and elsewhere, my Dad was schooled at Ardingly College in West Sussex. A rather typical English Boarding School which produced well rounded chaps in the 1940’s. His close friends and contemporaries included Bill Cotton (the son of the 1940’s Band Leader, “Billy Cotton”, who became the head of BBC TV) and John Michael (“Mike”) Hawthorn, who because of his hair coloring, was nicknamed “Snowball”. See our previous post mentioning Mike Hawthorn here – Morgan Cars

Born in Yorkshire on 10th April 1929 this blond and debonair young man was an iconic British racing driver and the very essence of what made motoracing glamourous. He drove a Ferrari and his penchant for racing in a bow tie did much to concrete his reputation as a gentleman racer of the finest tradition. Behind his steely blue eyes lay a depth of grit and ambition that would see him secure the Formula One World Championship alongside a host of other trophies.

Mike Hawthorn’s biography “Challenge Me The Race” carries the line “The first motor races I ever saw were at Brooklands. I was only a very small boy, but to me it was heaven to watch the cars thundering round those towering cliffs of concrete where the banking curved under the Members’ Bridge, to wander along the lines of brightly coloured cars in their stalls in the paddock, to jump as an exhaust snarled suddenly and to sniff the aroma of castor oil.”

Leslie, Mike’s father had relocated from Doncaster to Farnham, Surrey – opening The Tourist Trophy Garage in 1931 – to be nearer Brooklands. His father is said to have driven a young Mike in a Riley 2.0 litre around the legendary track thus sealing his ambition to race. This must have been a fascinating era with the Sunbeam, Napier Railtons and Bentleys battling on the banked curves of the Brooklands circuit.

 

Mike started racing bikes in 1947 and after a period in Formual Two driving a Cooper Bristol and being courted by the Jaguar team – managed by Lofty England –  he joined the Ferrari Team in 1953. He suffered burns following a crash in 1954 in Syracuse (Italy) and whilst  hospitalized his father was tragically killed in a car accident. Mike joined Jaguar in 1955 as team leader, replacing Stirling Moss. After a tragic Le Mans in 1955 and a week Jaguar performance at the same race in 1956 – which led to Jaguars retirement from racing – in 1957 Hawthorn rejoined Ferrari.

On 19th October 1958 – nearly 60 years ago – driving for Scuderia Ferrari, Mike failed to win the Moroccan Grand Prix at the newly built Ain-Diab Circuit. He was beaten into second place by Stirling Moss driving a Vanwall. Despite his position, Hawthorn secured, by a single point (total 42 points), the 1958 Formula One World Championship, the first British driver to do so. Moss came second with 41 points. Anoraks will be amused to note that Bernie Ecclestone competed in the same race – one of only two starts ever by Bernie in a Formula One – the second being the same year at Silverstone.

Immediately following the race Hawthorn announced his retirement from motoracing after eight amazing years. Sadly, the 29 year old champ was unwell following the loss of his friend Peter Collins and a recurrent, and, many have said probably terminal, kidney complaint.

Sadly on 22nd January 1959 Mike was killed in a British Racing Green, Mark 1 3.4 litre Jaguar – Reg VDU 881 – that had been loaned to him by the Jaguar team, that crashed on the Guilford by-pass. Whilst the circumstances are unclear it seems that on the wet surface with a witness attesting to seeing his car traveling at around 100 mph, he may have been racing Mercedes Team’s Rob Walker, who was driving a gull-winged doored Mercedes 300 SL.

See this dated Pathe newsreel announcing in its staccato voice over the sad news of Mike’s death  Mike Hawthorn Killed

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Image credits – used with grateful thanks Brooklands Museum, Pathe News and Motor Sports Magazine

Ferrari 250 GT LWB California Spyder by Scaglietti

Occasionally, when I see something of great design or beauty there is a real ‘catching breath” moment. The sight of your new born offspring and a Ferrari 250 GT LWB California Spyder by Scaglietti will illicit a similar reaction but for so many different reasons.

I completely forgive you for staring as this is widely regarded as the finest and best looking Ferrari ever built. There is an argument – that I buy into that the later SWB versions can hold a candle but its marginal. It’s lines, its air intakes, its expansive boot and shrouded headlights combine to create a simply beautiful car.

We have featured other Ferrari’s and we leave the final decision to you – see our earlier posts here Ferrari 330 GTS and Ferrari Dino

The 250 GT LWB – because of its 2.4m chassis – was intended for the North American market and was produced between 1957 and 1960 being superseded by a SWB version.  Comprising a Pininfarina designed body and a Tipo 128D 60 degree V12 engine that delivered 228 bhp and top speed of 145mph – Paco for the late 1950’s.

Original owners of these cars have include French film star, Brigitte Bardot (0937GT) and celebrated “Barbarella” film director and a former partner of the wonderful, Catherine Deneuve, Roger Vadim (1283 GT).

The iconic Ferrari GT 250 LWB California – as in our featured image – is a year younger than me and the current seller, Talacrest 2000 AD of Windsor – as featured on the excellent http://www.classicdriver.com – tell us that it bears the engine number 1503 GT, was the 35th of 50 LWBs to be made by Scaglietti and was delivered into their care in Modena on 7th July 1959. It was completed in October 1959, originally in white with a black interior and was shipped to a client in Caracas, Venezuela. In the early 1960’s it was imported into the US and in 1987 was acquired by a renowned collector who added only 700 kms in eleven years of ownership to the odometer but did change the colour to Ferrari’s signature Rosso/Red with a tan interior.

Provenance is vital with this quality of vehicle and like a fine painting or other artwork the amount of detail as to where, when and by whom that can be clearly demonstrated adds greatly to the cars value.

 

In 2015, RM Sotheby’s sold a stable mate of our Rosso, with engine number 1307 GT – as shown above – in stunning dark blue with its aluminium hood and distinctive air vents – for $8.5m. Rarely has an optional aluminium hard top looked so good as to enhance the overall effect of this majestic Italian classic.

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Photo credits – with grateful thanks to: Talacrest 2000 AD Ltd, http://www.classicdriver.com, Richard Owen/www.supercars.net and Patrick Ernzen/RM Sotheby’s

Fiat 500 – 1957-2017

Like many well designed iconic products a sixtieth anniversary not only surpasses the all too frequent 50th – recent milestones include The Beatles “Sgt Pepper” – please see here our previous post Peter Blake and Jann Haworth – “Sgt. Pepper’s Lonely Hearts Club Band” , BBC’s Radios 1 and 2, the first ATM (cash machine) and the launch of McDonalds in Canada – but the longevity of a product with sixty years under its belt truly says something about its core appeal and durability. Even if it is re-imagined in the process.

Such is the accolade that the fabulous Fiat 500 celebrated in July this summer when the the stunning Dante Giacosa designed first iteration the Nuova 500 was launched, succeeding the Topolino and, in an 18 year total production run, sold over 4 million cars.

 

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At under ten feet (less than 3m) long, with “suicide doors” and a roll-back roof its minute 479cc two-cylinder engine produced just 13 horsepower. I can bear testimony to the power of this sprightly little vehicle to whisk a car load of not small people and too much luggage – shooting too many red lights in the process – around the melting tarmac of Rome’s streets.

Roberto Giolito’s 2004 concept, the Fiat Trepiuno, paved the way for design guru, Frank Stephenson – who also designed the iconic new Mini – to re-imagine the Fiat 500. The new car was launched on 4th July 2007 to great acclaim, winning Car’s “Car of the Year 2007”.

Both the original 500 and its later incarnation have appeared in a number of guises including as Abarth special editions. The later model, which underwent some restyling in 2016, has also been styled as a Riva version – after the eponymous boat-yard – please see here our previous post Fiat 500 Riva.

 

Images courtesy of Fiat

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Lancia Fulvia Coupé

There are several well known, even iconic brands, particularly in the automobile and fashion businesses, that having been subsumed into larger acquirers and, subsequently, shelved. A good example of this is Lancia, now part of the Fiat Chrysler Automobiles (FCA Italy) conglomerate.

Their most recent car, the Lancia Ypsilon – based on the Fiat 500 platform – was re-branded in 2014 for the UK and Irish markets as a Chrysler. In 2017, it was announced that the Chrysler brand would no longer be used in the UK and Irish markets! It seems unlikely that the Lancia brand will be revived – which is a great tragedy.

I guess there’s a “dirt sticks” argument to the demise of Lancia for a UK audience. In the late 1980’s the Lancia Beta suffered greatly from sub-frame rust and corrosion issues so much so that they had to be repurchased by the company from disgruntled owners. Lancia withdrew from the right-hand drive market in 1994 selling their last model, the Lancia Delta, in 1995.

There have been some trophies among the mire, with a wealth of rally success but one particularly fine road going example is the iconic Lancia Fulvia Coupé.

Lancia & C. Fabbrica Automobili was founded in Turin in 1906 by former Fiat racing drivers, Vincenzo Lancia and Claudio Fogolin. The first Lancia was appropriately called “Alfa” and was produced between 1907 to 1908. Following Vincenzo’s death in 1937 his wife and son poached one of Alfa Romeo’s designers, Vittorio Jano, who oversaw a period of great innovation, including hydraulic dampers, five speed gearboxes, V4, V6 and V8 engines. Early vehicles were virtually handmade.

The business was sold to Fiat in October 1969 and there followed an era when Lancia’s claim to fame was in World Rallying.

The Lancia Fulvia was produced between 1963 and 1976 following its launch to great applause at the 1963 Geneva Motor Show.

Like its predecessor the Aurelia, it took its name from a Roman Road; the via Fulvia being that stretch that ran between Tortona to Turin.

The Fulvia was available as a Berlina (saloon) 4-door saloon – as above – (in 1972 as a V4 version), a 2-door Coupé, and Sport. Ugo Zogato’s team also designed and built a fastback coupé – based on the Coupé’s floorpan – and, in 1968, a prototype Zagato Sport Spider that debuted at the 1968 Turin Motor Show.

The Fulvia Coupé was a compact two-seater coupé was initially equipped with a 1216 cc engine, delivering 80 bhp at 6000 rpm, this was gradually enlarged to a 1534 cc engine delivering 132 bhp. Designed by Lancia’s in-house designer, Piero Castagnero, the Fulvia had a shorter wheelbase than the Berlina and it was the last Fulvia model to be discontinued. It was replaced by the ill-fated Lancia Beta Coupé in 1977.

In 1971 the Lancia Fulvia Coupé Series II Coupé had a 1298 cc engine producing 90 hp (67 kW) at 6000 rpm. A special celebratory model was released in 1972 to celebrate Lancia’s Montecarlo Rally victory that year. An update Series 2 Coupe – becoming the Coupé 3 – was introduced in 1974 .

In 2003 at the Frankfurt Motor Show, the Fulvia name was re-imagined in a concept from the Centro Stile Lancia headed by Flavio Manzoni. Sadly, the new Fulvia Coupé, with its distinctive brown leather interior, didn’t progress past prototype.

As Lancia Fulvia Coupe’s are increasing in value – may be you’d be happy to settle of a desk top but loyal die-cast model? Please click the Amazon link after the image.

There’s a choice – a red Lancia Fulvia Coupe in rally livery – please click the Amazon link below the image

Lancia Fulvia Coupe Hf Rally Car Lampinen Andreasson 1/43Rd No1 Type Y0675J

Or in a beautiful dark blue – please click the Amazon link below the image

BEST MODEL BT9645 LANCIA FULVIA COUPE’ 1300S 1967 DARK BLUE 1:43 DIE CAST MODEL

Do you have any Old Italian Legends in your life? If so this is the perfect long sleeved T shirt for them! Click the Amazon link below the image 

 Teesandengines Men’s LANCIA FULVIA COUPE Grey Long Sleeved T-shirt Size Medium

Or the short sleeved version – for the Spring and Summer! Please click on the Amazon link below the image.

TEESANDENGINES Men’s Lancia FULVIA Coupe 1972 Italian Grey T-Shirt Size XXXXLarge

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Images courtesy of Lancia

Volvo P1800

 

It’s odd what you forget and your memory needs to be jogged by a friend’s comment. A recent example is that of a favourite TV series from the late 1960’s.

I had forgotten that it’s hero, Roger Moore’s rather wooden “Simon Templar” aka “The Saint”, – cue title music – dodo dodo dadodo –  drove a very early white Volvo bearing the registration “ST1”. Long before they became super sensible Volvo, yes a Volvo, agreed to sponser the design and constructed later versions of the far from ordinary and wholly iconic Volvo P1800.

Available from 1961 to 1973, it was designed by Pelle Peterson – seen below with his creation – later to find fame as a decorated yachtsman and yacht designer – and featuring the styling of, Pelle’s tutor, Pietro Frua, a leading Turin-based car designer who’s work is seen particularly with Maserati.

In 1957 Volvo sought a sports model to compete in the US and European markets. The concept for the car came from Pelle father, Helmer, an automotive engineer and consultant to Volvo. Volvo were insistent that the car had to designed by an Italian coach-builder and the resulting P1800 was what was then known as a “stylish tourer”.

It was initially intended to build the car at the Osnabruck (Germany) factory of Karmann but, it is thought Karmann’s major client, Volkswagen, may have insisted that Karmann refuse the work.

The car was finally presented at the 1960 Brussels Motor Show and it was initially assembled at the Jensen Motors factory in West Bromwich (near Birmingham, England).

Production moved to Sweden in 1963 and the car was renamed the P1800S – “S” for “Sweden”.

Over its production run more than 47,000 cars were built. In addition to a couple of engine sizes – the 1800 denoting the 1778cc initial spec. engine – the P1800 was available as a neat two seater coupe or as a three-door “shooting-brake” or sports estate – the P1800ES. This acquired the affectionate nicknames, the “Fiskbilen” – Swedish for the “Fish-van” – and in other parts of Europe, the slightly sinister,  “Cinderella’s Coffin”.

Although Volvo themselves didn’t produce a convertible version of the P1800 the car was recognized by others for its perfect lines for this treatment. Notably, Volvoville in New York saw this opportunity and produced a highly desireable convertible version.

In September 2013, a 1966 P1800S, having obtained an entry in 1998 Guinness Book of Records for the highest mileage private vehicle at 1.69 million miles – exceeded three million miles.

In the 2013 adaptation of Jonas Jonasson’s excellent book “The 100 Year-Old Man Who Climbed Out of the Window and Disappeared” the leading character Allan Karlsson (played by Robert Gustafsson) is shown – in a Swedesh city location – driving a P1800S.

If you have ever been tempted to buy a Volvo P1800 can I suggest that a Eseential Buyer’s Guide is a good starting point – click the AMAZON link below the image to get a copy.

Volvo P1800/1800S, E & ES 1961 to 1973: Essential Buyer’s Guide

Once you have purchased your Volvo P1800 you will surely need the required Haynes Workshop Manual – click on the AMAZON link below the image to get a copy

Volvo 120 & 130 Series (and P1800) (61 – 73) Haynes Repair Manual (Classic Reprint Series: Owner’s Workshop Manual)

I do understand, as opposed to buying the car you may like to show your allegiance to the Volvo P1800 by wearing a T shirt with pride. If so, click on the AMAZON link below the image to get yours. – there are several colors to chose from.

STUFF4 Men’s Large (L) Burgundy Round Neck T-Shirt/Stencil Car Art / P1800

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Phot credits – with grateful thanks Gooding & Company

Alfa Romeo Giulietta Spider

Alfa Romeo is an iconic breed of Italian sports cars founded as A.L.F.A. (“Anonima Lombarda Fabbrica Automobile”) on June 24, 1910, in Milan. By August 1915 the company was under the direction of Nicola Romero who re-purposed the factory’s output to support the Allies with munitions and aircraft engines.

The name changed to Alfa Romeo in 1920 and a car called “Torpedo” was the first to be badged with the new name. The company enjoyed significant success on the motor racing track with Enzo Ferrari and, in the 1950’s, Juan Manuel Fangio being notable drivers. With Romeo’s departure in 1928 and economic downturn the company was rescued by Mussolini’s government and came under State control in 1933. Following the Second World War and into the mid-1950’s Alfa Romeo started to produce smaller, mass-produced vehicles.

In 1952, Alfa Romeo experimented with a traverse-mounted “Project 13-61” its first compact front-wheel drive car.  The Giulietta (750/101) series of saloons, coupes and “Spiders” – open two-seaters was introduced in 1954. All Giuletta’s shared the Alfa Romeo overhead Twin Cam four-cylinder engine, initially 1290 cc. The Giulietta Sprint, as designed by Franco Scaglione at Bertone, and known as the Giulietta Sprint 2+2 coupé was launched at the 1954 Turin Motor Show.

At the request of Max Hoffman, Alfa Romeo’s US importer, the Giulietta Spider was born in 1955. It was designed by the Pininfarina who also built around 17,000 Spiders at their 107 Corso Trapani and Grugliasco factories between 1956 and 1962 – in the era it was not unusual for the designer to complete the build.

This beautiful example is from 1961:

Our featured image dates from 1959 – see below Hoffman’s range available in the US.

These beautiful little cars – smaller by today’s standards – would continue to be built in a variety of configuarions until 1965.

Back on the track in the 1960’s and 1970’s Alfa Romeo focussed on competition to great success both in Europe and the US, using production-based cars, such as the GTA an aluminium-bodied version of the Berton-designed coupe.

A Giulietta’s development continued – see this beautiful 1975 Giulietta.

The 1980’s and 1990’s, aside from a couple of GTV Spiders, were not, in my view, classic years for Alfa Romeo. In more recent years there has been an increasing return to form with a new Giulietta’s and Guilia’s – largely designed as a family vehicles.

In February 2007, the Alfa Romeo brand became Alfa Romeo Automobiles S.p.A., a subsidiary Fiat Chrysler Automobiles Italy, having first merged with Fiat in 1986.

Add this Alfa Romeo Giulietta T Shirt to your wardrobe – click the link below the image

Men’s Alfa Romeo Giulietta Spider T-Shirt (X-Large, Military Green)

Add this stunning Alfa Romeo Giulietta Spider model – as featured above – to your collection: click the link below the image

Alfa Romeo Giulitta Spider 1300 Cabrio Rot 1961 Mit Sockel und Vitrine 1/24 Modellcarsonline Modell Auto

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Images Alfa Romeo – with grateful thanks