Apollo 11 – the Moon landing’s legacy

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Hand’s up who remembers 21st July 1969? Did your parents wake you up, in what felt like the middle of the night, to watch on a small black and white TV screen the moment that Neil Armstrong, leader of the Apollo 11 mission, stepped out of the Lunar Module (‘Eagle’) to became the first person to walk onto the lunar surface? There are a handful of childhood events, including this momentous step, that this viewer, as an eleven year old, remembers with absolute awe and clarity.

The enormity of men being shot into space ahead a giant fuel canister to orbit the Earth and then be pointed in a different trajectory to the Moon’s orbit and surface, there to land safely, open the sealed hatch and climb out. Simply breathtaking both in its spirit and execution. The First Walk on the Moon was simply awe inspiring.

Armstrong was followed onto the Moon’s surface by his co-venturers, Buzz Aldrin. They spent a couple of hours making auspicious speeches and collecting rocks. After nearly a day in the Sea of Tranquility they blasted back to the command module (‘Columbia’) piloted by Michael Collins. They were returned to terra firma having safely splashed down in the Pacific on 24th July 1969.

I was certainly old enough to realize that the Mission to the Moon was the most magical blend of evolutionary technology of semi-conductors and computers, the guile of America’s military aviators, the obviously immense resources of the NASA Space Program. It was also the culmination of the dream of a brilliant and driven leader, the late President John F. Kennedy, who in 1961 launched his country’s aim to land a man safely on the Moon before the end of the decade.

Aside from the warm and fuzzy feeling of all things vintage and American, Coke fridges, leather sleeved varsity jackets, Levi’s and classic muscle cars what else can be seen as the legacy of man’s early musings with space travel?

The Apollo mission kick-started a series of major innovations the legacy of which continue to be seen, felt and enjoyed today. Some of the many spin-offs from the Space Race include the following:

The Computerized Axial Tomography (CAT) scanner now more regularly used to detect cancer and other abnormalities was used to identify any imperfections in space components that would only be magnified by the unique stresses and environmental issues associated with zero gravity and the g-force associated with space travel.

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The Computer Microchip, the integrated circuits and semi-conductors used in the Apollo mission’s guidance software spawned the modern microchip that appears in everything from you laptop, to you TV remote control and your oven’s regulatory systems.

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Cordless tools. Lacking the inability to plug in electrical tools on the Moon’s surface, power tools including cordless drills and vacuum cleaners were developed – initially by Black & Decker in 1961 – with integral battery packs enabling the collection of rock and dust samples.

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In-Ear Infrared thermometer. A detector of infrared energy that is felt as heat that was developed to monitor the birth of stars found an alternative use with In-Ear thermometers.

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Freeze-dried food. Since the Moon mission we have been fascinated by rehydrated food, Thai pot soups, noodle dishes and the like. Originally devised to minimize weight these packets of goodness fueled the men in space. This technology had first been developed in the Second World War for carrying blood long distances without refrigeration. Nasa was first to create freeze dried iced cream – but it doesn’t seem to have been that popular amongst the astronauts.

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Home Insulation materials. If you have ever unrolled in the your attic reflective insulated matting you may not know that the shiny material used was developed to deflect radiation away from spacecrafts.

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Invisible braces. Each of my three children has received the attention of the dentists and the application of braces that resulted in perfectly straight teeth. The process has been improved by the use of transparent ceramic brace brackets made from materials developed for spacecraft.

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Joysticks as used on computer gaming consoles were devised for Apollo Lunar Rover.

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Memory foam – for many, me excluded, they say that sleeping on a memory foam mattress or pillow results in a splendid night’s sleep. For me they are usually too firm but the underlying tech was created to improve the comfort of aircraft seats and helmets.

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You may not be surprised to hear that satellite television technology, primarily devised to repair relay signals from spacecrafts and to unscramble satellite sound and images sent from space now sits at the core of home satellite driven services.

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At the optician when ordering a new pair of glasses you will almost certainly have been asked if you would like a ‘scratch resistant coating’ to be added. Substantially improving the long term wear and tear on glasses these coatings were developed to make astronaut helmet visors scratch resistant.

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Whilst shoe insoles have been around for years, indeed the likes of trusty beach worn Birkenstocks are based on the eponymous insole a challenge for athletic shoe companies was to adapt an insole for the Space missions boot designs to maximize on ventilation and springy comfort.

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An absolute must around any home is a smoke detector with good batteries. It may surprise you to know that Nasa invented the first adjustable smoke detector that was programmed with a level of sensitivity that prevented false alarms. Just as essential in the small cabins on board spacecrafts.

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The design of a space rocket is perhaps a classic example of drag reduction. Interestingly Nasa deployed the same principles of drag reduction to help create for Speedo a world beating, but highly controversial, swimsuit the LZR Racer.

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Aside from bottled oxygen, filtered and clean water was one of vital elements needed in space. NASA developed a filtering technique that killed bacteria in water. This has subsequently been used to deliver filtered water in millions of homes.

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Velcro – whilst not strictly a product developed for the Space Race, the system of a hook-and-loop fastener was originally conceived in 1941 by a Swiss engineer George de Mestral. NASA made significant use of touch fasteners in myriad of ways including the closing of astronauts’ suits, anchoring equipment during maintained and for trays at mealtimes to avoid them floating away.

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Artificial limbs – Nasa is a world leader in the science of robotics devised primarily to remotely control space vehicles. The technology had been adopted to give artificial limbs greater functionality.

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If you have ever completed the London Marathon, for example, you may recall crossing the line to be shrouded in a silver foil blanket. These blankets were developed in 1964 they are excellent at  reflecting infrared radiation but they also enable the body to they retain heat and reduce the risks from hypothermia.

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The Bacon hydrogen-oxygen fuel cell celebrated British engineer, Tom Bacon, developed an existing and century old technology to create a patented fuel cell that provided electrical power for the Apollo mission. The science that combined hydrogen and oxygen to create a reaction that caused heat that could be converted to electricity also had a useful by-product, water: which the astronauts drank. Fuel cells have been used to create electric vehicles including the Toyota Mirai, Honda Clarity and Mercedes-Benz F-Cell, where the technology is seen as a having great green credentials.

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The Omega Speedmaster Moonwatch is part of a range of manually winded chronometers launched by the Swiss watch brand in 1957 and used as part of Omega’s role as the official timekeeper for the Olympic Games. The “Moonwatch”, a combination of both timepiece and stopwatch, was water-resistant, shock-proof, and could withstand 12Gs of acceleration endured by the astronauts during their mission. It was first worn during NASA’s Gemini missions that included the first space walk. The Moonwatch was on the wrists of Armstrong, Aldrin and Collins, when the former two took their first steps on the Moon. It remains a firm favourite with those who love this Swiss watch brand which has created a series of Special Editions to commemorate the 50th Anniversary of the first Moon landing.

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Iconic Surf Brands

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I love surf/hippie/beach culture. Whilst it may be a complete mare to get to in July and August the realm of Tarifa, on Spain’s Costa de la Luz, is a Mecca for those who get their kicks on a kite, surf, SUP or boogie board – see our previous post here on Morey Boogie Boards – Morey Boogie boards.

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This is a lifestyle, available to all adherents. Whether you are a weekend hippie with a real job in corporate finance, benefit from a distant relative having invented some practical gizmo that makes life easier even today, a vacationing student or a “Crusty”, who sees the conventional pressures to earn a living, have a mortgage or to otherwise conform to some dated middle class ideal of the perfect life, as pointless, then there’s a welcome for you on the beach.

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For core participants of this tribe, whose transient existence may be complemented, if they have the funds, see previous references to those in the City and/or being a Trustafarian – by a VW bus – see our previous post here – Volkswagen Kombi – as the perfect transport for your kites and boards, their careful devotion to their appearance on an off the sand is crucial. Indeed being able to take the beach with them as they return to their other life is made possible by several wonderful and iconic surf brands who shroud the faithful when the smell of the salt air is a fading memory.

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Founded in Tarifa in the 1990’s by designer Andoni Galdeano and entrepreneur Herbert Newman, the El Niño brand of surfwear is defined by a passion for the perfect wave and embraces much of what our tribe of surf worshippers love. It’s colourful, expressive and almost all pieces bare the distinctive El Niño logo that my family has always called “the Angry Sperm” – the little discontented drip. In fact the name comes from the “levante” wind of the same name that blows from the East  over Tarifa.

For Adults and Children – add an El Niño shirt to your summer collection by clicking the Amazon link after the image

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El Niño The Child 11102 T-Shirt, Men, Men, 11102, Grey (Stone Grey), Medium

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El Niño The Child 0128013101 T-Shirt, Children, 13101, Orange (Fiesta), 12

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Quiksilver was founded in Torquay (Australia) in 1969 by Alan Green and John Law. It is now a multi-million dollar business, one of the largest manufacturers of surf and related sports goods, operating many stores worldwide. The company developed the successful young woman’s wear brand “Roxy” – who’s logo is a duplicate of the Quiksilver wave doubled to form a heart – it also owns the DC brand of skate shoes.

After a difficult period of trading in 2016 and restructuring the majority shareholder is now Oaktree Capital Management. In 2017 the company’s name was changed to “Boardriders” and is now based in Huntington Beach, California.

Quiksilver, along with Rip Curl – also founded in 1969 in Torquay (Australia) and still owned by co-founders Doug Warbrick and Brian Singer – and Billabong – founded on Australia’s Gold Coast (Queensland) by Gordon and Rena Merchant in 1973 and now co-owned by Oaktree Capital – are regarded as the “Big Three” Surfwear companies.

Add a pair of Quiksilver nubuck flip-flops to your beach collection by clicking the Amazon link below the image

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Quiksilver Men’s Molokai Nubuck Flip Flops, Multicolour (Brown CTK0), 42 42 EU

Or a pair of cool DC low top shoes….

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DC Shoes Trase TX, Men’s Low-Top, Blue (Navy/Camel Nc2), 8 UK (42 EU)

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Orange County on California’s Pacific Coast is the home Huntington Beach, Newport Beach and Laguna Beach each with their own distinctive surf communities. In the 1984 Shawn Stussy – a young surfboard manufacturer – who signed his boards with his distinctive signature – founded his eponymous surfwear brand with Frank Sinatra Jnr (unrelated to the singer) in Laguna Beach.

Stussy surfwear became a favourite of the hip-hop scene of the late 1980’s/early 1990’s. The brand is now a favourite of Drake and A$AP Rocky.

In 1996 Stussy left the brand selling his holding to Sinatra’s family who still own it.

A piece by Stussy is a must ….how about this signature cap? Click the Amazon link below the image

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Stussy Stock SP18 Snapback Hat Teal

Images with grateful thanks – El Niño Tarifa, Quiksilver/Boardriders, DC Shoes and Stussy.

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Arctic Monkeys “Tranquility Base Hotel & Casino”

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Here’s my 10 cents on the recent release by these icons of British music.

The Arctic Monkeys are not the same band they were in 2006 with “Whatever People say I am….” but twelve years on their songwriting and musicianship have matured, wonderfully.

“Tranquility Base Hotel & Casino” is varied, complex and above all box-fresh.

I suspect the intention may be for it to be seen as a concept album – and here an ace is scored. It is also aimed at dissuading the purchase of single tracks – the scourge of the album market – and arguably disrespectful to an artist’s creative intentions.

As a piece of standalone mastery, it is a class all its own. That said stand-out tracks for me include the title track, “Four Out Of Five”, the more classic AM “Science Fiction” and “The Ultracheese”. Alex’s delivery is as usual, Sheffield steel and the reverb is wonderful.

The homage to Bowie is well done and there are so many film soundtracks and sound beds for commerials their music publishers must be thrilled!

Great job lads, brilliantly executed.

STOP PRESS:

In case you thought I was alone in loving this new album, then you’d be wrong! The judging panel of influential Q Magazine have just announced that “Tranquility Base Hotel & Casino” has been given the accolade of “Album of the Year 2018”.

Read the report here from the Irish Independent Tranquility Base Album of the Year 2018 – Q Magazine

Do yourself a favour and get a copy for the car and/or the turntable by clicking the Amazon link below the image on the album’s cover.

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Tranquility Base Hotel + Casino

In case you have not already heard the stunning debut album by the Arctic Monkeys from 2006 “Whatever People Say I Am, That’s What I’m Not” please click on the Amazon link below the image to secure a CD or vinyl.

Remember this album not only won the Mercury Prize it was also the fastest selling debut Album ever in the history of the UK Charts!

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Whatever People Say I Am, That’s What I’m Not

Image credits – with grateful thanks – Domino Recordings Limited

Man Ray

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Like most people with an interest in the popular cultures and arts of the last hundred or so years the name Man Ray is well known to me. His body of photography, particularly that featured in the galleries of London and Paris, seems very familiar but I know little of the artist behind these iconic photos aside from his key roles in Dadaism and Surrealism and his frienship with those including Salvador Dali – see Dominic Baker’s earlier post on Dali’s work here – Salvador Dali by Dominic Baker

Born Emmanuel “Manny” Rudnitzky on 27th August 1890 in Philadelphia, the eldest of four children of Jewish tailor and his wife, Max and Minnie Rudinitzky, who had emigrated from Russia. During Manny’s childhood the family moved to Williamsburg, Brooklyn. The family changed their surname to “Ray” in 1912.

Man Ray’s artistic ability was evident early on. In 1908, following Brooklyn Boys High School, he pursued his art studies at the free thinking and socialist Ferrer School/Modern School and with Alfred Stieglitz – an influential photographer – who owned gallery “291” that featured European Modernists.

The Armoury Show in New York in 1913 featured works by Picasso and Kandinsky that greatly inspired Ray. In 1915 he met French artist Marcel Duchamp – who later described his use of a camera “as a paint brush “ – and together with Francis Picabia they comprised an informal grouping of New York Dada artists. From this era, Ray’s 1921 sculpture “The Gift” was created featuring a tailoring iron with tacks welded to its surface – thus rendering the iron’s true function, useless. Our image below shows his version from 1958 that, like many of his earlier work, were re-created by Man Ray – following his return from the US.

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Europe called and in 1921 Ray moved to Paris where he associated with the Dada and Surrelists artists in the French capital – along with Gertrude Stein and Ernest Hemingway. In Paris he pursued a lucrative career as a portrait photographer – taking photos of James Joyce amongst many others – and as fashion photographer for titles such as “Vogue”. His commercial work provided resources to developed his own style of photography called “rayographs”. These involved Ray placing and manipulating objects on pieces of photosensitive paper.

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In 1924 Ray composed and shot the iconic “Violin d’Ingres” featuring his muse and lover Kiki. Kiki also featured again in “Noire et Blanche”.

By the late 1920’s Ray had a new muse, the fashion model, Lee Miller. In 1929 he produced the stunning “Solarised’ work featuring her profile headshot.

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Our featured image “Glass Tears” dates from 1932.

Man Ray left for California in 1940 where he concentrated on his painting but returned to Paris in 1951 to continue to paint – really his preferred media – to write and sculpt. Aged 86 Ray died in Paris on 18th November 1976.

A friend from the art world once told me that often the most collectible pieces were “self portraits” – because simply it depicts how the artist sees themselves. This mischievous half bearded self portrait of Man Ray comes from 1943

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Photo credits with grateful thanks Man Ray Trust and the Lee Miller Estate

International Geophysical Year

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Over the recent holidays, I was listening to Donald Fagen’s “The Nightfly” album from October 1982, his first since splitting “Steely Dan”. The first track on this iconic and multi-award winning solo album is “I.G.Y. (What A Beautiful World)”.

One of the amazing things about today’s tech is rather than spending ages locating your nearest library – that may be closed as its a Bank Holiday – the world of information afforded by the internet is a button away.

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Get your copy of album by clicking this AMAZON link here The Nightfly

Fagen was born 10th January 1948 and graduated in 1969 from Bard College in upper New York State, had a childhood love of late night radio – thought to be the genesis of The Nightfly – born out of a certain dissatisfaction with his suburban upbringing. His family had moved to Kendall Park, New Jersey around 1958.

I.G.Y referred to International Geophysical Year, an eighteen month long celebration, ending on 31st December 1958, of scientific renaissance in the relationship between East and West. A post Cold War collaboration comprising the participation of sixty-seven countries – with the notable exception being the People’s Republic of China – in the fields of Earth science, Gravity, Geo-Magnetism, Meteorology, Oceanography and Ionospheric Physics. the organisation was presided over by Marcel Nicolet, a noted Belgian Physicist.

To celebrate IGY both the US and Soviet Union announced their intentions to launch unmanned satellites, respectively the Explorer 1 (from a team headed by Wernher von Braun) and Sputnik 1. Sputnik 1’s launch on 4th October 1957 was seen as a Soviet victory and ignited the “Space Race” leading to the creation of NASA on July 29, 1958.

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Much of the data collection made during the IGY is still in use and it lead to a more responsible management of particularly Antarctic environmental resources.

2018 represents not only Donald Fagen’s 70th birthday, on 10th January, but it also commemorates the 60th anniversary of I.G.Y. something of a testament to international co-operation and an optimism for a safer and more collaborative future.

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For our friends living in the US Live Nation have just announced that between May and July 2018 Steely Dan and The Doobie Brothers will be co-headlining a North American Tour – enjoy!

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Image Credits with thanks: Warner Bros.

Billingham 225 Camera Bag

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Returning to my core mission of celebrating aesthetically pleasing and classically designed icons mention must be made of the beautiful English made bags of M Billingham and Co Ltd – better known to us as “Billingham Bags”.

In 1973, Martin Billingham founded his eponymous business making fishing bags and forty years on the business is still in family ownership. Indeed the essence of the light brown canvas bags are reminiscent of a trout fishing bag my father gave me over forty years ago complete with many internal sections for reels and tackle. By 1978 it was discovered that a large number of their bags were being sold to a New York based photographer thus igniting the most important connection between these durable water-resistant canvass and rubber bonded bags, edged in finest leather and their obvious target market.

Typically a Billingham bag is full of sections divided by velcro sided foam panels that can be varied to accommodate several lenses, camera bodies, flash units and filters. The larger models also feature external straps to hold tripods.

The world of photography has undergone a revolution in its transition to digital image capture and a trend away from larger SLR type cameras – Please check out here our piece on the new Hasselblad X1D – Hasselblad X1D to the more convenient “point and shoot” or even the use of a high pixel camera like that of the new iPhone X. Yet it seems that the future of the Billingham bag, as the bag of choice for the professional or serious amateur  photographer, seems set for many years to come. The Billingham range has also evolved to offer a range of smaller bags designed for compact cameras and their accessories.

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I bought my first Billingham bag, a large brown canvass 225 with chestnut leather piping, in the late 1980’s to accommodate my beloved SLR camera, a Nikon 801 body – to which I had attached a Nikon motor drive – and had a large flash unit, several Nikkor zoom and wide angled lenses, straps, boxes of Ilford and Kodachrome film – both black and white and colour – and a tripod. It was an excellent collection that I used regularly and produced some pretty decent photos. My habit of saving both boxes and receipts from my favourite camera shop “Fox Talbot” (that merged with lager rival “Jessops” in 1998 now owned by TV’s Dragon’s Den investor, Peter Jones) stood me in good stead. In the middle 1990’s, when we were away on holiday and our house was being renovated and some light fingered painter/decorator stole my entire Billingham bag and its contents. The insurance company were impressed by my proofs of purchase and refunded the entire loss allowing me to replace my favourite bag and its contents.

For me the most adaptable bag in the current Billingham range – and there are more expensive ones – and the one I have owned for several years, is the Billingham 225 – see here a live review of this bag –Billingham 225 camera bag

If you would like to enjoy the evident benefits of these most appealing icons of modern photography please click the AMAZON link below the image

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Billingham 225 Canvas Camera Bag With Tan Leather Trim – Khaki

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Image credits M. Billingham & Co Ltd and Hasselblad AB

Tennis Girl and Friends

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It was the love child of Blu-Tack – the removable putty that could stick pretty much anything – provided it wasn’t too heavy – to a wall and UK art and poster shop, Athena founded in Hampstead (London, UK) in 1964 by Ole Christensen.

In 1969 Blu-Tack was the accidental by-product of research into creating a new sealant combining chalk powder, rubber and oil. Originally white in colour a blue dye was added to avoid any confusion with chewing gum. Around 100 tonnes a week are now produced by “Bostik” at its Leicester (UK) factory.

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Combining these two brands in the 1970’s resulted in the walls of many thousands of teenager bedrooms and student digs being graced by some of the most iconic posters ever produced.

Tennis Girl” – Taken by Martin Elliott in September 1976 at Birmingham University’s tennis courts and features an 18-year-old, Fiona Butler, Elliott’s then girlfriend.  First published by Athena as part of a calendar for the 1977 Queen Elizabeth II’s Silver Jubilee, then distributed as a poster, launching in 1978 and selling over two million posters at £2.00 each.

Get your own A3 framed “Tennis Girl” poster from AMAZON by clicking the following link Pyramid International Tennis Girl A3 Framed Print

God Save The Queen” by the Sex Pistols 1977. Taken from the “Never Mind The Bollocks Here’s is The Sex Pistols” was the Punk “celebration” of the Silver Jubilee. It was banned by the BBC and commercial radio in the UK yet still achieved a No 2 slot in the Official UK Singles Chart.

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Get your own “God Save The Queen” by the Sex Pistols poster by clicking the following AMAZON link Classic Sex Pistols God Save The Queen Poster British Flag Punk 24 x 36

Farrah” – selling a staggering 12 million copies. The original photo was shot in 1976, featuring the then relatively unknown Farrah Fawcett at her Bel Air (California, USA) home by Bruce McBroom of Pro Arts Inc. It was first published in Life magazine in September 1976.

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Che Guevara Red” by Jim Fitzpatrick’s based on Alberto Korda’s original 1960 photograph.

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Jaws” Stephen Spielberg’s 1975 telling of Peter Benchley’s story. The Highest Grossing Film of All Time – prior to the relates of Star Wars. The artist responsible for the original painting – which to this day is said to be missing – was Roger Kastel.

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Shaft” – Richard Roundtree starred – with a stunning Isaac Hayes soundtrack – in this  third blaxploitation movie released by a major studio. It is said to be the most popular of the genre and certainly was a commercial success costing $500,000 to make and earning $13m.

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Lunch atop a Skyscraper” was taken on 20th September 1932 by Charles Clyde Ebbets and depicts eleven men eating lunch on a girder during the construction of 30 Rockefeller Plaza (Manhattan, NYC, USA). It was taken on the 69th Floor.

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The Doors – featuring Jim Morrison – “American Poet” – who died aged 27 in 1971. It was photographed by Joel Brodsky.

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The Rolling Stone Lips – Mick Jagger liked the work of 24-year-old art school student, John Pasche, who accepted £50 to draw this world famous logo.

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Marilyn Monroe – a still from the Billy Wilder directed “Seven Year Itch” in 1955

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Beer – self deprecating humour was always part of growing up!

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Star Wars – released in May 1977, the George Lucas written and directed first outing for this amazingly successful franchise. Originals of the poster in good condition, designed by Tom Jung, are today worth $2500-$3000.

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Fly United” – United Airlines spoof, 1970’s vintage, just for the laugh!

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Athena was sold by Ole to E&O who grew the chain to sixty stores nationwide. In 1977 it was sold to the Pentos Group and floundered in 1995. It is now has a strong on-line offering.

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Images courtesy of Martin Elliott, Life/Pro Arts, The Rolling Stones, Virgin Records, LucasFilms, Elektra Records, Zanuck/Brown Productions, Fitzpatrick/Korda, 20th Century Fox.

Playboy Magazine

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I know this is going to have a polarising effect on my audience. The impact of Playboy magazine on my generation of men was profound. There is simply no doubt that to me Playboy and the rabbit logo are simply iconic.

Playboy, founded by Hugh Hefner in October 1953 and launched its first edition in December 1953. The cover photo featured Marilyn Monroe and the centrefold (later to be called “Playmates”) was an unreleased nude shot of Marilyn – taken some years previously for a calendar – something of a publishing coup at the time.

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The name of the magazine was originally slated as “Stag Party” but that was ditched last minute because a rival title threatened legal action. Hefner’s friend and co-founder, Eldon Sellers, suggested the name “Playboy” – his mother had worked for a car company of that name.

After several edition, Hefner decided that it was fast becoming a brand and it needed a logo. He asked his Arthur “Art” Paul, the magazine’s Art Director for 30 years – who commissioned artists including Warhol and Dali to illustrate – to come up with some ideas. It is claimed he returned within a few minutes with a sketch of the rabbit image that was both “frisky and playful” but with an air of sophistication.

The publication now in its 63rd year spawned Playboy Enterprises, Inc that publish in many countries world-wide. A core strategy was to feature girls who had that “girl next door” – obtainable – appeal, like Marilyn and Farrah Fawcett.

In 2015 it operated an eighteen month moratorium on full frontal nudity, the March/April 2017 edition saw its return under a title “Naked is Normal” – although the sub-title “Entertainment for Men” has been removed from the cover.

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In addition to playing its part in the sexual revolution, that characterised much of the 60’s and 70’s, featuring cartoons, the works of great photographers and a monthly interview with a public figure, Playboy has retained its commitment to carrying the works of novelists, including Ian Fleming, John Updike, Kurt Vonnegut and Vladimir Nabokov.

The best-selling Playboy edition was the November 1972 edition, which sold 7.1m copies.

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Given losses in 2009 the publishing empire was put up for sale for $300 million. By March 2011, Hugh Hefner received support to complete the buy out to re-acquire  the entire publish business at $6.15 per share. The business has more recently been touted with a $500m price. This increase in value seems to be largely due to the very successful licensing operation of Playboy Enterprises that exploits the use by others of the rabbit logo on merchandising and accessories.

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The Playboy Club was the physical realisation of the magazine’s intention to educate and entertain the adult man. The first Club was in Chicago and opened in February 1960. Playboy Bunnies – served members and their guest food and drink.

I went to a Playboy Club once in Century City, California, with a friend from the UK and a couple we visited – a connection of his parents. After several “CC and 7Up” they suggested lunch, Buzz was a member. My friend and I were 20/21 years old and impressed. The Bunnies were lovely, the food was excellent US club food, enormous steaks, delicious baked potatoes and fresh salads – including cherry tomatoes that we’d never seen. Although the girls were sweet and encouraged two English boys to talk – just to hear our accents – there was nothing at all sleazy about the whole experience.

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By 1991, the Club chain became defunct. Attempts have been made to revive the Club in Las Vegas and London – but I’ve not been.

 

Henri Cartier-Bresson – Rue Mouffetard, Paris (1954)

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We are delighted to continue our series of iconic photographs, images that capture a decisive moment or an attitude.

Our subject is Henri Cartier-Bresson (1908 – 2004) and his 1954 portrait: “Rue Mouffetard, Paris”. A depiction of local boy – Rue Mouffetard is in Paris’ 5th Arrondissment – Michel Gabriel, proudly carrying two magnums of wine. The boy’s expressive face is evocative of Puck both knowing and innocent. Perhaps it’s the incongruity of the young face, the contented expression and the fact he is carrying an  adult product that adds to its charm. Behind the boy are a pair of girls who seem to be applauding his efforts and sharing in his joy.

It’s said that Cartier-Bresson stayed in touch with Michel and attended his 50th birthday in the late 1990’s. He arrived at his party to a closed door which on cue was opened and the great photographer stood in a similar pose carrying two magnums!

Cartier-Bresson’s trade mark was candid photography – often in the street – that have marked him as one of the great pioneers of modern photography.

The oldest of five children of a wealthy textile manufacturer, the family lived in Paris in Rue de Lisbonne, a middle class neighbourhood close to Gare St Lazare and the Parc Monceau.

A good student, post Lycée, Henri went to an art school, Lhote Academy – the studio of Cubist, Andre Lhote, whom he regarded as his teacher of “photography without a camera.”

In the late 1920’s meeting various Surrealists “with an appetite for the usual and unusual” was an inspiration. In 1928/9 he attended Cambridge University studying art and literature. In 1930 he was conscripted into the French Army and was introduced to photography by American, Harry Crosby.

He spent time in West Africa and contracted blackwater fever that nearly killed him. Returning to recuperate in Marseille he saw and was hugely influenced by the work of Martin Munkacsi, a photojournalist. In Marseille, he purchased a Leica 35mm camera-body – he always preferred small bodied cameras – and a 50mm lens.  He painted any shiny part of the camera with black paint to increase his anonymity.

He cared little for photographic technique, never used a flash or cropped a photo. Throughout his working life he shot almost exclusively in black and white

He travelled extensively and his resulting works were first shown in New York in 1932 at the Julien Levy Gallery. In 1934 he met a Hungarian photographer named Endré Friedmann, who later changed his name to Robert Capa.

In September 1939 he joined the French Army, but was captured and spent three years in a prison camp before successfully escaping to work with the Resistance, secretly photographing the Occupation of France and its Liberation. In 1943 he dug up his Leica – having buried it in a field near Vosges – and worked for the American Office of War Information.

In early 1947, Henri, Capa, David Seymour and others established Magnum Photos, a co-operative photographic agency owned by its members and divided assignments amongst them. Henri’s coverage of Gandhi’s funeral in India in 1948 and his work in early Maoist China in 1949 are particularly celebrated.

He retired from photography in the early 1970s preferring to draw and paint. The antithesis of the celebrity photographer being both shy and private, very few photos of him exist.

HCB Portait

 

 

 

Concorde by Dominic Baker

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We are delighted to welcome a new Contributor to Aestheticons, Dominic Baker, who is an artist and writer based in Devon (UK) – and a massive fan of great design. This is Dominic’s first piece for us.

Concorde was an Anglo-French masterpiece that dominated the skies for 27 years after its first commercial flight in 1976. It has won many design awards even after its retirement from service in October 2003.

When I think of the two countries Great Britain and France, they have never seemed friendly, always having some sort of disagreement dating back to the 10th Century culminating in the Battle of Waterloo. In 1855 Queen Victoria bridged the gap visited Paris and signed the Entente Cordiale.

A British Minister wanted to drop the ‘e’ in “Concorde” as it sounded too French! It’s widely agreed that the ‘E’ stood for ‘Entente Cordiale’, so it was reinstated. The word ‘Concord’ meaning ‘harmonious’ or ‘to be in agreement’ was the most fitting name for such a beautiful work of art and an instantly recognisable icon and acknowledgment of two nations being joined to realise this project.

Concorde was only the second of two commercial airliners ever to be ‘supersonic’ – being Mach 2, over 1500 miles an hour. The first was the less successful Soviet built, Tupolev Tu-144, which looked like a carbon copy of the Anglo – French invention yet only completed fifty-five passenger flights. It was slower and less reliable than Concorde. It also beat Concorde in being the first commercial aircraft to break Mach 2 in June 1969, Concorde only achieving the same on 1st October 1969.

Concorde was made primarily of aluminum for lightness and strength. It was restricted to Mach 2.4 as any faster and the metal would become pliable and deform as it heated up in the fast flowing air around it. The aircraft would expand from anything from 5 to 10 inches in places during flight due to the heat. Concorde had over 5000 hours of testing before it was certified for passenger flight. It flew at 60,000 feet (over 11 miles) and the passengers could see the curvature of the earth. It flew around the World in just under 30 hours.

From 21st January 1976 Concorde undertook its first commercial flights with a capacity for 100 passengers. First passengers on the inaugural flight to Bahrain paid £356 for a single which price had risen for a round trip to New York (typically, a three and a half hour journey) by the late 1990’s to over £8200. During its lifetime of more than 50,000 flights Concorde carried over 2.5 m passengers.

It wasn’t all roses for the partnership, after the last New York flight had landed in 2003 figures pointed towards that they had run at a loss. Also not forgetting the horrendous Air France crash of 2000 to New York which killed everyone a board – partly contributing to its demise – also 9/11 attacks in 2001 also made numbers dwindle from fear of flying to New York.

As a child I can still remember standing in my garden hearing the Sonic Booms as they broke the sound barrier not once but twice over head and feeling a little twinge of pride mixed with awe that there was such a fantastic mode of transport out there. Exotic and romantic destinations such as New York & Paris were only a couple of clicks away.

Only the rock star jet set super elite used Concorde. It really was the ultimate commercial supersonic flying machine, not bad for an old bird designed in the 50s !

Rumour has it, that Club Concorde, a collective of aviation enthusiasts and former Concorde pilots have the funding to return Concorde to supersonic service by 2019.

Ed – my two clear recollections of this magnificent plane are watching test flights in the late 1960’s over the Thames at Lechlade in Gloucestershire. When my family moved to Surrey in the late 1970’s sitting in the garden – pre the building of the M25 – around 9.30 pm there would be an amazing rumble and light show of the New York Concorde preparing to land at Heathrow.

 

Featured Image by British Airways