A Rare Rolex – The Submariner 6536

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Anyone who knows me will attest three things: I adore Rolex Submariners, I am truly fascinated by the processes of design and I am generally astonished by the extent that some people go to both understand their subject and display their knowledge.

The first is proven by the extent to which I have sung the praises of the iconic Rolex Submariner on many occasions in the pages of Aestheticons – see here a couple of our earlier pieces – Rolex Submariner and The Submariner

The second is fundamentally the reason that Aestheticons exists and I hope is amply demonstrated by our success amongst the likeminded.

Finally, and I cannot claim the credit here, which must go to Paul Altieri and the nice people at Bob’s Watches and Monochrome Watches – both who have links at the end of this piece. Their devotion to the study of the Rolex Submariner and are an illustration of why these fabulous watches have become virtually an “investment class” as would be understood by financial professionals.

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When we walk into a Rolex dealer or look at the array of excellent pre-owned models on-line we tend to be looking at the most readily and commercially available. There are few of us who will get the opportunity of seeing yet alone owning one of the often early and ultra rare version of Rolex’s iconic diver’s watch, the Submariner.

The Submariner with case number 6536 is a case in point. Given the time it now takes to bring a new version to market the early days of the Submariner were marked by an ability to introduce and retire models frequently. The 6536 is such a model. It was released in 1955 and made for just one year and I understand that only around 100 pieces were ever made.

So how can you identify a 6536? It features an unprotected 6mm crown – giving a 100m depth rating – with no side guards built into the case. Early – very rare versions – had the depth written in red ink on its face. Some ultra rare versions came with the Explorer dial but the majority featured a mix of round indexes and stick batons with the inverted triangle at 12 – as used in the modern Submariner. There are one or two specimens with the Arabic 3-6-9 markings of the Explorer.

The Explorer came with the same Mercedes-style hands that first joined the Submariner range from 1954. The very earliest models retained the longer types, with a minutes hand that overlapped the dial’s outer chapter ring, before being shortened at some point during the production cycle.

The 6536 was powered by the Cal. 1030, a 25-jewel automatic caliber first introduced in 1950 – you won’t find any with the ‘Officially Certified Chronometer’ text on the dial – it became a long terms Rolex favorite.

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Link to Paul Altieri’s of Bob’s Watches excellent piece here Rare Rolex Submariner

Ok so let’s understand what we mean by valuable – here’s the full link to Monochrome Watches detailed piece Valuing Rare Rolexes

 

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Running left to right in the above photo –

The 1955 Rolex SUBMARINER Ref. 6536 with Red Depth rating –
Rolex Submariner Ref. 6536 100m Red Depth Rating 5 digits serial number is for sale for €80.000

The 1955 Roles SUBMARINER Ref. 6536 with Ultra-Tropical “Explorer” dial
Rolex Submariner Ref. 6536 explorer dial ultra tropical and 5 digits serial number is for sale at €280.000.

The 1956 Rolex Submariner Ref. 6538 with “Big Crown” and Red Depth Rating – Legend has it that this is the one worn by Sean Connery in the James Bond 007 movie “Dr. No”is for sale at €175.000.

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Images courtesy of Bob’s Watches and Monochrone Watches.

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Clarks Desert Boots

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The Fast Show – a UK TV show from the mid-1990’s  – had a wealth of characters created by Charlie Higson and Paul Whitehouse – amongs others. One particular favourite was “Louis Balfour” – played by John Thomson – who was the oh so slightly pretentious presenter of “Jazz Club” with a catchphrase – when all else failed – of “Nice!”. You rarely got to see his feet but my bet is that he would’ve worn Clarks Desert Boots

See here a sample of Jazz Club The Best of Louis Balfour’s Jazz Club

Now you have to follow this, Louis was cut from a very similar cloth to a couple of Art Masters at my last school. They insisted on being called “Chris” and “Steve” as indeed I suspect they were their real names and as 6th Formers it seemed odd to continue with “Sir”. They wore corduroy jackets – in brown and country green – one with contrasting leather elbow patches – they had a penchant for practical Farah Hopsack trousers – don’t ask – and each had several pairs of iconic Clarks Desert Boots.

Quite what desert there were planning to cross in leafy Cheshire was uncertain but none the less these two were simply the coolest guys in the school.  “Steve” with his long hair even drove a late reg VW Beetle – click here to our previous post Volkswagen Beetle – an icon re-imagined – you can imagine he was already ice cool to me.

Assured not to be bitten by scorpions nor rattle snakes, Clarks Desert Boots to this day are an iconic and a highly flexible wardrobe essential that you can wear with jeans, moleskins or chinos and they will always look the part. Just avoid wearing in the rain – they are suede and, after all, are intended for deserts!

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C. & J. Clark International Ltd, (“Clarks”) was founded in 1825 by Quaker brothers Cyrus and James Clark in Street, (Somerset, England) where its HQ is still based – although manufacturing is now predominantly undertaken in Asia. Clark’s continues to be 84% family owned.

Since 1879 the Clark’s trade mark has been the distinctive Glastonbury Tor with the St Michael’s tower.

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The Desert Boot was launched in 1950 having been designed by the co-founders, James’, great-grandson, Nathan Clark, a serving British Army Officer based in Burma. It is said that the Desert Boot was based on the unlined boots made in the bazaar’s of Cairo for returning British Army Officers during the Second World War.

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Post War the Desert Boot saw adoption by the Mod Culture in UK, the Beatnik Culture in the US and were known to be a favourite of the Student anit-capitalist demonstrations in Paris in May 1968.

Why not be like Steve McQueen or Liam Gallagher and get a pair of Clarks original Desert Boots – please click the links below the images below to be directed to AMAZON – the two links show the full colour range available.

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Clarks Desert Boot, Men’s Derby, Braun (Cola Suede), 10 UK

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Clarks Originals Desert Boot, Men’s Derby Lace-Up, Brown (Brown Sde), 9 UK 43 EU)

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Images courtesy of C & J Clark International Limited

Iconic Beach Cars

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As many return from overseas holidays, stay-cations and City breaks I wanted to send a “wish you were here” digital postcard – also my 300th Aestheticons post – from a wonderful visit to France’s Cote d’Azur, more particularly, the iconic French beach-side town of St Tropez with it’s simply beautiful pastel shaded port.

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Fame was assured for this picturesque coastal town when the 1950’s French actress, Brigitte Bardot, born in 1934 and still a local resident at Baie des Canebiers, featured in the 1956 Roger Vadim directed and ground breaking “And God Created Woman” (“Et Dieu Crea la Femme”). Mdme. Bardot’s impact on the region has been honored by local baker “Senequier” who in 1956 launched the delicious “La Tarte Tropezienne”, a delicate almond cream filled brioche topped with powdered icing sugar and chopped pistachio.

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Shot on location in and around St Tropez the film also provided a springboard for the world renowned beach club/restaurant “Club 55” that was founded from a dilapidated beach shack by the parents of current owner, Patrice de Colmont, who provided food for the cast and crew of filmmakers. Rumored to have recently been offered €30m for his iconic beach club M Colmont is understood to have politely turned down the offer as he preferred not to become one of his clients eating the signature dish of “Panier des Crudites” with anchoiade mayonnaise!

The town’s along this stretch of the Cote D’Azur are each rather distinct and have their own style. The beach is never far from people’s minds as they negotiate, sometimes to the frustration of the locals, the summertime traffic of fellow tourists.

Naturally in this style capital it is vital to get your beach or port transport right. For those not seeking to impress in the vast array of American muscle cars that are to be spotted in many locations, my preference is to celebrate the more quirky and classic vehicles.

Aestheticons readers will already know of my passion for the GRP bodied Citroen Mehari – see our previous post here – Citroën Méhari – A reliable French classic that is patriotically supported and really enjoyed in St Tropez and its surrounding villages.

The Mini Moke, which has the look of a vehicle that was designed for the breeze of the Cote D’Azur, is a very popular ride either to the beach or to park up alongside a visiting boat transporting provisions for a day at sea. For the the right clients it is possible to rent one of these wonderful and iconic cars for your stay. See our previous posts here – Mini Moke Goes Electric .

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Closer to the original Mini, I have seen parked in Grimaldi Village, a beach version with wicker seats and no doors, called the “Austin Mini Beach”. It was very beautiful and, I understand, extremely valuable! See our previous post here celebrating the iconic Mini – Mini – the best selling car in Britain

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The third leaf of this Fleur de Lys of wonderful beach and port transport is the Ghia designed Fiat Jolly based on the equally iconic Fiat 500 – see our previous post here – Fiat 500 – 1957-2017

Seemingly one of the most valuable of these iconic beach cars price points of $100,000 have been mentioned for these basket weave seated, frilled canopied expressions of Italian style.

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Greek shipping tycoon Aristotle Onassis is said to have had and loved his Fiat Jolly.

In 2108 this charming little car celebrated its sixtieth anniversary and to coincide the guys at Fiat commissioned Garage Italia to produce a reimagined version of the Jolly, limited to 1958 editions, and called the Fiat Spiaggina.

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Image Credits – used with grateful thanks – Hemmings Car Auctions and Garage Italia/FIAT

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Fiat Barchetta

 

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The other day I was following a Fiat Barchetta and was reminded of what a pretty and glamorous little car this particular Fiat was. It was in metallic grey with an open burgundy roof. It was in fantastic condition, gleaming chrome and clean paint, with its hood down, wind blowing through the driver’s hair it looked very cool.

There is a growing trend amongst classic car magazines to try to predict those cars that will be future collectibles, that unlike regular vehicles will either hold or  increase their value over a period of time. For me the smart thing to do would be buy a low mileage, well maintained Fiat Barchetta, mothball it, as I have a hunch that this car may well become one such vehicle – a classic.

As someone keen on the evolution of trade marks the “Barchetta” is somewhat enigmatic. Simply in Italian “Barchetta” is a way of saying small boat. Giovanni Canestrini the Editor of “La Gazzetta dell Sport” is credited with the origin of the name in the 1940’s. Initially in the name was used by Ferrari, Maserati and the lesser known manufacturer, Moretti, who all produced open top race cars.

In 1948 and 1949 a Ferrari 166MM – based on the earlier competition Barchetta called the 166S of which only 39 were made – won the Mille Miglia, the endurance race set in Northern Italy which ran from 1927 to 1957 – only being halted by War.

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In 1966 Abarth produced the 1000SP Barchetta – a track success. In 1991 Maserati produced seventeen Barchettas for the track. In 2001 Ferrari released their stunning 550 Barchetta Pininfarina to celebrate the 70th anniversary of the stellar – now Mahindra owned – Turinese design house.

Whilst this extensive use of a distinctive name would be manna from Heaven for the trade-mark lawyers I suspect the fact that the majority of the dramatis personae in this particular performance were either owned or co-owned by the Turin giant “Fiat” is probably the simplest answer to the lack of any dispute.

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Using the project name “Tipo B Spider 176” between 1990-94 Fiat’s in house Centro Stile team comprising primarily Andreas Zapatistas, Alessandro Cavazza and Peter Barrett Davis conceived and developed the Fiat Barchetta. With a 1,747 cc DHOC petrol engine it was based on the chassis of Fiat’s Mark 1 Punto.

It was first released in February 1995 and is classically Italian in styling. It draws from both the Fiat 124 – see our earlier posts on this iconic sports car –  Fiat 124 Sport Spider – a re-imagined icon   – and the earlier Ferrari 166MM.

Production ceased in  June 2005 with a final production run of around 57,700 cars.

So, back to my suggestion of an investment in this beautiful Italian sports car. A simple but limited search on the internet shows that low mileage examples – under 100,000 Kms – particularly LHD – currently go from around €3,000 to €5,000.

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Images – with grateful thanks – courtesy of Sylvia Druet, Ferrari and Fiat Chrysler SpA.

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Alfa Romeo 1300 Duetto – For Sale

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Many of us will dream of owning a Sunday Car – a preferred classic car – that can be enjoyed in the right climate but for a limited amount of time. The aim is not to add materially to the mileage whilst ensuring that it works well when needed with  minimal trips to the mechanic. The dream is for you and your nearest to enjoy, pose a little, relax and breathe.

One of my clear favourites in this precise category is the Alfa Romeo 1300 convertible. I have celebrated this wonderful vehicle on several occasions in the columns of Aestheticons. Please click on the highlighted following links to read our previous posts – Alfa Romeo Spider and Alfa Romeo Giulietta Spider

The difficulty for many of our UK based readers is the availability of good stock of this beautiful car in Right Hand Drive. Well here’s a potential solution.

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The guys at the amazing Swiss-run curation site – in a nutshell comprising classic cars and associated lifestyle – Classic Driver –  Classic Driver – are busy celebrating their 20th anniversary with 20 Limited Edition Aston Martin DB11! Yes they launched in 1998 on the internet, geez I have shoes older –  Church’s Brogues . They are also currently running a campaign for an auction to take place on 7th July 2018 and by Historics at Brooklands. One particular vehicle to feature at this sale is a red – is there any other colour – 1970 Alfa Romeo 1300 – Alfa 1300 Convertible  – It carries a guide price/estimate of between £22,000 – £27,000. My feeling, whilst I am rubblish at valuations, is that looks like a particularly good sweet spot to kick off the innumerable pleasures of owning a classic car and enjoying classic motoring.

As many will know the Brooklands Museum is a venue particularly close to my heart – please see my previous post Mike Hawthorn – 1958 Formula One World Champion.

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This charming example of the Alfa Romeo Duetto is a right hand drive version and pre-dates the rather challenging era of added rubber bumpers that, in my view, detrimentally affected the aesthetics of this wonderful car in later models.

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STOPPRESS – Don’t know if you have yet had a chance to look at the listings for the Historics at Brooklands auction on 7th July 2018? A deeper study of what’s on offer has disclosed another classic Alfa Romeo – this time a left hooker – with an estimated value at between £50,000 to £60,000. A 1290cc 1957 Alfa Romeo Giulietta – simply one of the most stunning Alfas ever made.

 

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Image credits – with grateful thanks – Classic Driver and Historics at Brooklands https://www.historics.co.uk

 

Ferrari 250 GT LWB California Spyder by Scaglietti

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Occasionally, when I see something of great design or beauty there is a real ‘catching breath” moment. The sight of your new born offspring and a Ferrari 250 GT LWB California Spyder by Scaglietti will illicit a similar reaction but for so many different reasons.

I completely forgive you for staring as this is widely regarded as the finest and best looking Ferrari ever built. There is an argument – that I buy into that the later SWB versions can hold a candle but its marginal. It’s lines, its air intakes, its expansive boot and shrouded headlights combine to create a simply beautiful car.

We have featured other Ferrari’s and we leave the final decision to you – see our earlier posts here Ferrari 330 GTS and Ferrari Dino

The 250 GT LWB – because of its 2.4m chassis – was intended for the North American market and was produced between 1957 and 1960 being superseded by a SWB version.  Comprising a Pininfarina designed body and a Tipo 128D 60 degree V12 engine that delivered 228 bhp and top speed of 145mph – Paco for the late 1950’s.

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Original owners of these cars have include French film star, Brigitte Bardot (0937GT) and celebrated “Barbarella” film director and a former partner of the wonderful, Catherine Deneuve, Roger Vadim (1283 GT).

The iconic Ferrari GT 250 LWB California – as in our featured image – is a year younger than me and the current seller, Talacrest 2000 AD of Windsor – as featured on the excellent http://www.classicdriver.com – tell us that it bears the engine number 1503 GT, was the 35th of 50 LWBs to be made by Scaglietti and was delivered into their care in Modena on 7th July 1959. It was completed in October 1959, originally in white with a black interior and was shipped to a client in Caracas, Venezuela. In the early 1960’s it was imported into the US and in 1987 was acquired by a renowned collector who added only 700 kms in eleven years of ownership to the odometer but did change the colour to Ferrari’s signature Rosso/Red with a tan interior.

Provenance is vital with this quality of vehicle and like a fine painting or other artwork the amount of detail as to where, when and by whom that can be clearly demonstrated adds greatly to the cars value.

 

In 2015, RM Sotheby’s sold a stable mate of our Rosso, with engine number 1307 GT – as shown above – in stunning dark blue with its aluminium hood and distinctive air vents – for $8.5m. Rarely has an optional aluminium hard top looked so good as to enhance the overall effect of this majestic Italian classic.

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Photo credits – with grateful thanks to: Talacrest 2000 AD Ltd, http://www.classicdriver.com, Richard Owen/www.supercars.net and Patrick Ernzen/RM Sotheby’s

Ferrari 330 GTS

 

 

 

 

 

So you all know that I am a Porsche nut! That said, simply because a vehicle is not German designed and Stuttgart built doesn’t exclude it from being simply a breathtaking icon.

The limited run of only one hundred examples is not just the most special thing about the Ferrari 330 GTS, though it does, of course, influence its value. To me many  classic convertibles don’t look that amazing with their hoods up. Their “rag roofs” are often too peaked, ribbed in chrome or are otherwise a bit clumsy. This car is the exception. With its hood up or down the Ferrari 330 GTS is just stunning.

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The 330 GTS was designed by the legendary Torino based “Pininfarina” – founded in 1928 by Battista Farina who acquired the Piedmontese nickname “Pinin” – meaning the youngest brother – and later in 1961 changed his surname to “Pininfarina”. The last car that Sr. Pininfarina is credited with personally designing was the Alfa Romeo Duetto – see our pervious post here – Alfa Romeo Spider  There is an umistakable common heritage in Pininfarina’s signature between the 1966 Alfa Romeo Duetto and the 330 GTS.

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The Ferrari 330 GTS was one of a series of cars, V12 300 bhp – based on the Superamerica 4.0L Colombo engine – that were produced by Ferrari between 1963 and 1968 when it was superseded by the 365 models.

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The Ferrari 330 GTS debuted at the Paris Motor Show in 1966.

In January 2016, a genuine “barn find” Ferrari 330 GTS with a mere 23,000 miles on the clock sold at the Scottsdale Arizona sale of Gooding & Company for a tad over $2m.

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A yellow GTS sold at the same sale a year earlier for $2.4m.

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The guys at Morris and Welford at Newport Beach, California in January 2018 have a stunning 1968 blue GTS for sale for $2.4m. Yes please……

 

If that is stretching the budget a little – and it certainly is for me – I am going to console myself by adding a die cast model of a Ferrari 330 GTS to my mantelpiece! You can do the same by clicking the AMAZON link below

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BEST BT9315 FERRARI 330 GTS 1968 BLUE MET.1:43 MODELLINO DIE CAST MODEL

STOP PRESS: At Gooding & Co’s January 2018 Scottsdale Auction, Lot 138, a stunning black 1967 Ferrari 330 GTS reached a winning bid at $2.53m – exceeding the pre-auction  estimate of between $2.00m – $2.4m.

See images of this fine car here – Ferrari 330 GTS at Goodings

 

Image Credits with grateful thanks Wikipedia, Gooding & Co, Morris and Welford, The Legendary Motor Company, http://www.Talacrest.com and RM Sotherby.

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Ferrari Dino

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May be it’s the recent sad loss of the charmer Sir Roger Moore Volvo P1800– aka Lord Brett Sinclair in the early 1970’s caper ‘The Pursuaders!” with Tony Curtis – aka Bernard Schwartz/”Daniel” Danny Wilde as his gritty, wealthy, upstart crime co-fighter  – who drove one in the series – but I have recently been re-admiring the beguiling lines of the iconic Ferrari Dino.

The epic title sequence from “The Pursuaders!” – with an amazing John Barry soundtrack – can be seen here – enjoy! The Pursuaders! Titles

The Ferrari Dino was a brand of mid-engined, rear-drive sports cars produced by Ferrari from 1968 to 1976. It may be that the Dino first appeared during an era in my life typified by raging hormones but even forty years on I am humbled by the staggering beauty of this feat of Italian engineering.

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“Dino” – comes from founder, Enzo’s son and heir, “Alfredo” – nicknamed “Alfredino”- who, sadly, died in 1956 aged just twenty four suffering from Duchenne muscular dystrophy.

As used by Ferrari “Dino” was what they call in the fashion business a “diffusion line”, not the full-priced product but one basking in the shadow of the senior brand. During this era the Ferrari name was reserved for the 12 cylinder versions of the marque and “Dino” was used to support a range of more realistically priced versions of this classic sports car. Similarly to the use of the models “Boxster” and “Cayman” in the Porsche range today.

Enzo was initially doubtful about the safety of a mid-engined car but after some persuasion – get the connection….- he agree to allow Sergio Pininfarina to build a mid-engined concept car for the 1965 Paris Motor Show which carried only the “Dino” badge. By the 1966 Turin Show  a further prototype was shown and was very well received. Enzo was finally willing to green light production with the 206 GT. Only 152 Dino 206 GT were built.

The Dino range was described by three digits such as the 206 – being a 2 litre 6-cylinder (containing the signature V6 – designed by legendary Vittorio Jano – Alfredo actually had a hand in its design), 246 – being a 2.4-litre 6-cylinder and the 308 – being a 3.0-litre 8-cylinder.

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In 1969 the 206 GT was superseded by the more powerful steel bodied Dino 246 GT, initially only available as a fixed-top GT coupé,

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A targa topped GTS was launched in 1971 – our example shown has been Federalised for the US market by the addition of more bumpering and side indicators.

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The Dino 246 GT designed by Leonardo Fioravanti at Pininfarina was the first Ferrari to be produced in reasonably high numbers. Dino 246 production numbered 2,295 GTs and 1,274 GTSs, for a total production run of 3,569.

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Initially the Bertone designed 308 GT4 2+2, with its V8 engine was given a “Dino” badge between 1973 and 1976 when it was “upgraded” to a Ferrari. Not one of my favorite Ferraris but it did spawn a later model, the beautiful 308 GTB, the car that succeeded the Dino – and included the “Magnum PA” 308 GTS – but that’s another story!

Get you own die cast Dino by clicking the following AMAZON link Bburago Ferrari Dino 246 GTB 1:24

Get a Red Dino T shirt by clicking the following AMAZON link Ferrari 246 Dino legendary road icon mens T-Shirt (Large, Red)

Images courtesy of ITC Entertainment, Ferrari/Fiat and Bburago

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Lancia Fulvia Coupé

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There are several well known, even iconic brands, particularly in the automobile and fashion businesses, that having been subsumed into larger acquirers and, subsequently, shelved. A good example of this is Lancia, now part of the Fiat Chrysler Automobiles (FCA Italy) conglomerate.

Their most recent car, the Lancia Ypsilon – based on the Fiat 500 platform – was re-branded in 2014 for the UK and Irish markets as a Chrysler. In 2017, it was announced that the Chrysler brand would no longer be used in the UK and Irish markets! It seems unlikely that the Lancia brand will be revived – which is a great tragedy.

I guess there’s a “dirt sticks” argument to the demise of Lancia for a UK audience. In the late 1980’s the Lancia Beta suffered greatly from sub-frame rust and corrosion issues so much so that they had to be repurchased by the company from disgruntled owners. Lancia withdrew from the right-hand drive market in 1994 selling their last model, the Lancia Delta, in 1995.

There have been some trophies among the mire, with a wealth of rally success but one particularly fine road going example is the iconic Lancia Fulvia Coupé.

Lancia & C. Fabbrica Automobili was founded in Turin in 1906 by former Fiat racing drivers, Vincenzo Lancia and Claudio Fogolin. The first Lancia was appropriately called “Alfa” and was produced between 1907 to 1908. Following Vincenzo’s death in 1937 his wife and son poached one of Alfa Romeo’s designers, Vittorio Jano, who oversaw a period of great innovation, including hydraulic dampers, five speed gearboxes, V4, V6 and V8 engines. Early vehicles were virtually handmade.

The business was sold to Fiat in October 1969 and there followed an era when Lancia’s claim to fame was in World Rallying.

The Lancia Fulvia was produced between 1963 and 1976 following its launch to great applause at the 1963 Geneva Motor Show.

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Like its predecessor the Aurelia, it took its name from a Roman Road; the via Fulvia being that stretch that ran between Tortona to Turin.

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The Fulvia was available as a Berlina (saloon) 4-door saloon – as above – (in 1972 as a V4 version), a 2-door Coupé, and Sport. Ugo Zogato’s team also designed and built a fastback coupé – based on the Coupé’s floorpan – and, in 1968, a prototype Zagato Sport Spider that debuted at the 1968 Turin Motor Show.

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The Fulvia Coupé was a compact two-seater coupé was initially equipped with a 1216 cc engine, delivering 80 bhp at 6000 rpm, this was gradually enlarged to a 1534 cc engine delivering 132 bhp. Designed by Lancia’s in-house designer, Piero Castagnero, the Fulvia had a shorter wheelbase than the Berlina and it was the last Fulvia model to be discontinued. It was replaced by the ill-fated Lancia Beta Coupé in 1977.

Lancia Fulvia 1

In 1971 the Lancia Fulvia Coupé Series II Coupé had a 1298 cc engine producing 90 hp (67 kW) at 6000 rpm. A special celebratory model was released in 1972 to celebrate Lancia’s Montecarlo Rally victory that year. An update Series 2 Coupe – becoming the Coupé 3 – was introduced in 1974 .

In 2003 at the Frankfurt Motor Show, the Fulvia name was re-imagined in a concept from the Centro Stile Lancia headed by Flavio Manzoni. Sadly, the new Fulvia Coupé, with its distinctive brown leather interior, didn’t progress past prototype.

Lancia Fulvia 2003 Concept

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As Lancia Fulvia Coupe’s are increasing in value – may be you’d be happy to settle of a desk top but loyal die-cast model? Please click the Amazon link after the image.

There’s a choice – a red Lancia Fulvia Coupe in rally livery – please click the Amazon link below the image

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Lancia Fulvia Coupe Hf Rally Car Lampinen Andreasson 1/43Rd No1 Type Y0675J

Or in a beautiful dark blue – please click the Amazon link below the image

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BEST MODEL BT9645 LANCIA FULVIA COUPE’ 1300S 1967 DARK BLUE 1:43 DIE CAST MODEL

Do you have any Old Italian Legends in your life? If so this is the perfect long sleeved T shirt for them! Click the Amazon link below the image 

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 Teesandengines Men’s LANCIA FULVIA COUPE Grey Long Sleeved T-shirt Size Medium

Or the short sleeved version – for the Spring and Summer! Please click on the Amazon link below the image.

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TEESANDENGINES Men’s Lancia FULVIA Coupe 1972 Italian Grey T-Shirt Size XXXXLarge

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Images courtesy of Lancia

Alfa Romeo Giulietta Spider

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Alfa Romeo is an iconic breed of Italian sports cars founded as A.L.F.A. (“Anonima Lombarda Fabbrica Automobile”) on June 24, 1910, in Milan. By August 1915 the company was under the direction of Nicola Romero who re-purposed the factory’s output to support the Allies with munitions and aircraft engines.

The name changed to Alfa Romeo in 1920 and a car called “Torpedo” was the first to be badged with the new name. The company enjoyed significant success on the motor racing track with Enzo Ferrari and, in the 1950’s, Juan Manuel Fangio being notable drivers. With Romeo’s departure in 1928 and economic downturn the company was rescued by Mussolini’s government and came under State control in 1933. Following the Second World War and into the mid-1950’s Alfa Romeo started to produce smaller, mass-produced vehicles.

In 1952, Alfa Romeo experimented with a traverse-mounted “Project 13-61” its first compact front-wheel drive car.  The Giulietta (750/101) series of saloons, coupes and “Spiders” – open two-seaters was introduced in 1954. All Giuletta’s shared the Alfa Romeo overhead Twin Cam four-cylinder engine, initially 1290 cc. The Giulietta Sprint, as designed by Franco Scaglione at Bertone, and known as the Giulietta Sprint 2+2 coupé was launched at the 1954 Turin Motor Show.

At the request of Max Hoffman, Alfa Romeo’s US importer, the Giulietta Spider was born in 1955. It was designed by the Pininfarina who also built around 17,000 Spiders at their 107 Corso Trapani and Grugliasco factories between 1956 and 1962 – in the era it was not unusual for the designer to complete the build.

This beautiful example is from 1961:

Our featured image dates from 1959 – see below Hoffman’s range available in the US.

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These beautiful little cars – smaller by today’s standards – would continue to be built in a variety of configuarions until 1965.

Back on the track in the 1960’s and 1970’s Alfa Romeo focussed on competition to great success both in Europe and the US, using production-based cars, such as the GTA an aluminium-bodied version of the Berton-designed coupe.

A Giulietta’s development continued – see this beautiful 1975 Giulietta.

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The 1980’s and 1990’s, aside from a couple of GTV Spiders, were not, in my view, classic years for Alfa Romeo. In more recent years there has been an increasing return to form with a new Giulietta’s and Guilia’s – largely designed as a family vehicles.

In February 2007, the Alfa Romeo brand became Alfa Romeo Automobiles S.p.A., a subsidiary Fiat Chrysler Automobiles Italy, having first merged with Fiat in 1986.

Add this Alfa Romeo Giulietta T Shirt to your wardrobe – click the link below the image

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Men’s Alfa Romeo Giulietta Spider T-Shirt (X-Large, Military Green)

Add this stunning Alfa Romeo Giulietta Spider model – as featured above – to your collection: click the link below the image

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Alfa Romeo Giulitta Spider 1300 Cabrio Rot 1961 Mit Sockel und Vitrine 1/24 Modellcarsonline Modell Auto

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Images Alfa Romeo – with grateful thanks