Iconic Beach Cars

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As many return from overseas holidays, stay-cations and City breaks I wanted to send a “wish you were here” digital postcard – also my 300th Aestheticons post – from a wonderful visit to France’s Cote d’Azur, more particularly, the iconic French beach-side town of St Tropez with it’s simply beautiful pastel shaded port.

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Fame was assured for this picturesque coastal town when the 1950’s French actress, Brigitte Bardot, born in 1934 and still a local resident at Baie des Canebiers, featured in the 1956 Roger Vadim directed and ground breaking “And God Created Woman” (“Et Dieu Crea la Femme”). Mdme. Bardot’s impact on the region has been honored by local baker “Senequier” who in 1956 launched the delicious “La Tarte Tropezienne”, a delicate almond cream filled brioche topped with powdered icing sugar and chopped pistachio.

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Shot on location in and around St Tropez the film also provided a springboard for the world renowned beach club/restaurant “Club 55” that was founded from a dilapidated beach shack by the parents of current owner, Patrice de Colmont, who provided food for the cast and crew of filmmakers. Rumored to have recently been offered €30m for his iconic beach club M Colmont is understood to have politely turned down the offer as he preferred not to become one of his clients eating the signature dish of “Panier des Crudites” with anchoiade mayonnaise!

The town’s along this stretch of the Cote D’Azur are each rather distinct and have their own style. The beach is never far from people’s minds as they negotiate, sometimes to the frustration of the locals, the summertime traffic of fellow tourists.

Naturally in this style capital it is vital to get your beach or port transport right. For those not seeking to impress in the vast array of American muscle cars that are to be spotted in many locations, my preference is to celebrate the more quirky and classic vehicles.

Aestheticons readers will already know of my passion for the GRP bodied Citroen Mehari – see our previous post here – Citroën Méhari – A reliable French classic that is patriotically supported and really enjoyed in St Tropez and its surrounding villages.

The Mini Moke, which has the look of a vehicle that was designed for the breeze of the Cote D’Azur, is a very popular ride either to the beach or to park up alongside a visiting boat transporting provisions for a day at sea. For the the right clients it is possible to rent one of these wonderful and iconic cars for your stay. See our previous posts here – Mini Moke Goes Electric .

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Closer to the original Mini, I have seen parked in Grimaldi Village, a beach version with wicker seats and no doors, called the “Austin Mini Beach”. It was very beautiful and, I understand, extremely valuable! See our previous post here celebrating the iconic Mini – Mini – the best selling car in Britain

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The third leaf of this Fleur de Lys of wonderful beach and port transport is the Ghia designed Fiat Jolly based on the equally iconic Fiat 500 – see our previous post here – Fiat 500 – 1957-2017

Seemingly one of the most valuable of these iconic beach cars price points of $100,000 have been mentioned for these basket weave seated, frilled canopied expressions of Italian style.

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Greek shipping tycoon Aristotle Onassis is said to have had and loved his Fiat Jolly.

In 2108 this charming little car celebrated its sixtieth anniversary and to coincide the guys at Fiat commissioned Garage Italia to produce a reimagined version of the Jolly, limited to 1958 editions, and called the Fiat Spiaggina.

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Image Credits – used with grateful thanks – Hemmings Car Auctions and Garage Italia/FIAT

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Porsche 959 Paris – Dakar

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Occassionally, with some smugness, you think you know everything about a preferred iconic item or product. Well, at the Grand Prix at Silverstone I was talking to a colleague who reminded me of the Porsche 959 that was made race ready for the 1980’s infamous Paris-Dakar Rally.

As we age there may come a point where crawling into and, more appropriately, out of a low slung sports car becomes a regrettable chore. Such is this case. A passionate 911 owner with a distinguished military history that has left his body a bit battered found his beloved 911 just too low and therefor unmanageable for daily use. However, the 959 with its revised and heightened suspension – the height of today’s SUVs – built for the inhospitable terrain not of the “Autoroute du Soleil” – the A6 South of Paris – but more for the sands of the Sahara, is perhaps the perfect compromise. Some height but still a 911. No, in this case a Cayenne will simply not fill the gap.

The Porsche 959, the brainchild of Porsche’s Chief Engineer in 1981, Helmuth Bott, was manufactured between 1986 and 1993. Initially as a Group B rally car – featuring all wheel drive that later became standard on all Porsche’s turbocharged versions, aluminum and Kevlar – it became the fastest street legal production car with a top speed depending on variant of between 197 and 211 mph.

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The 959 was unveiled at the 1983 Frankfurt Motor Show and produced at Porsche’s Baur custom facility and not at their usual Zuffenhausen plant. The road version was shown at the same show in 1985 with first deliveries in 1987 at a cost of $225,000 – which is said to be less than half the actual build cost. 345 cars in total were produced including eight produced from spare parts at Zuffenhausen between 1992/3.

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In 1984, in response to encouragement from the Belgian Formula 1 ace, Jackie Icks and and in compliance with the FIA Rules, requiring that Group B rally cars needed to be based on a production car that had been produced in more than 200 examples, a total of six – only five surviving – 911s were modified to 959 specifications. Three were used in the grueling 1985, 8,700 mile, Paris Dakar Rally – driven by Rene Metge and Dominque Lemoyne – with limited success. A 1986 variant used at Le Mans finished first in its class.

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The Paris-Dakar (Senegal) Rally – now called “The Dakar” – ran between 1979 to 2007 and in 2009 it moved to South America. It continues to be open to cars, quads, truck and motor bikes.

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The 959 is a key link to later versions of the turbocharged 911s and one of these Porsche legends can be seen in the Porsche Museum.

If you’d like to own one of the rarest and most desirable Porsche’s ever built then you have a shot. In October (27th) this year RM Sotherby’s are hosting a Porsche 70th Anniversary Sale in Atlanta (Georgia). The centre piece of this sale is a Porsche 959 Group B Rally car decked out in its Rothman’s livery. Predictions suggest that the sales price for this once in a lifetime opportunity will be between $3m and $3.4m

If for some inexplicable reason you feel that the currently available 959 is a tad out of your price range, I have an essential man/woman cave scaled-down addition – please click the following Amazon link below the image.

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Dickie-Schuco 413310006 – True 185 1986 1: 18 Scale Porsche 959/50 Dakar Rally Raid, Resin, White/Blue/Red Hmans Motif

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Images – with grateful thnaks – courtesy of Robin Adams and RM Sotheby’s

Braun Calculator

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Sometimes it’s not about doing the different but its about doing the similar only looking and functioning better.

I recently received a birthday gift from a very old friend, a Limited Edition white Braun Calculator. My pal has particularly good taste – obviously other than his clearly suspect taste in friends – and I know that he has championed, amongst other products, these perfect, stylish and durable calculators for years.

A little like the argument about why do you need a camera or a calculator when you have an IPhone? Surely they cover the same bases. Yes but no. Admittedly, you may need more than pockets or even a brief case to carry your choice of camera, calculator, Filofax – which, mark my words is about to see a resurgence supported by ‘back to basics’ and ‘digital detoxing’ Millennials – wallet, alarm clock and phone but there is something fun and creative in developing your portfolio of preferred items and relishing their use for their specialized task.

You are probably saying, Braun, don’t they make shavers, depilatory trimmers and hairstyling tools – and you’d be right. Originally, only available in black the iconic ET44 and ET66 Braun Calculator (the latter has an additional and very useful slide on protective cover) were collaboratively designed by Dietrich Lubs and Dieter Rams in 1977 and 1987, respectively.

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Dieter Rams, joined Braun in 1955, a German business originally founded by Engineer, Max Braun, who made radio sets in Frankfurt in 1921, and it comprises a beautiful and practical example of Rams’ lean design philosophy “weniger, aber besser” – literally “less, but better”. It is said that early Apple designers – Rams is known to have been a huge influence on Apple’s chief designer, Jonathan Ives – were so influenced by the look of the ET44 that the original IPhone calculator app, down to the yellow “equals” button, and the early incarnations of the IPod bore striking resemblances to the Lubs/Rams designs, including the ET44.

The ET44 and ET66 are not Rams and Lubs’ only iconic collaboration for Braun. From 1971, we also have the the charming and hugely tactile AB1A travel alarm clock, another exceptional example of function, great design and adherence to Rams’ simple design mantra. It’s almost a pleasure to wake up to its shrill chirrup!

If you’d like to add these beautiful, highly practical and iconic objects to your personal collection please click the AMAZON link below the image in the following gallery.

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Braun Calculator – White

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Braun Calculator – Black

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Braun Classic Square Travel Alarm Clock BNC002WHWH – White

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Braun Classic Square Travel Alarm Clock BNC002BK – Black

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Image credits – with grateful thanks – Braun AG and Zeon Ltd.

Clarks Desert Boots

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The Fast Show – a UK TV show from the mid-1990’s  – had a wealth of characters created by Charlie Higson and Paul Whitehouse – amongs others. One particular favourite was “Louis Balfour” – played by John Thomson – who was the oh so slightly pretentious presenter of “Jazz Club” with a catchphrase – when all else failed – of “Nice!”. You rarely got to see his feet but my bet is that he would’ve worn Clarks Desert Boots

See here a sample of Jazz Club The Best of Louis Balfour’s Jazz Club

Now you have to follow this, Louis was cut from a very similar cloth to a couple of Art Masters at my last school. They insisted on being called “Chris” and “Steve” as indeed I suspect they were their real names and as 6th Formers it seemed odd to continue with “Sir”. They wore corduroy jackets – in brown and country green – one with contrasting leather elbow patches – they had a penchant for practical Farah Hopsack trousers – don’t ask – and each had several pairs of iconic Clarks Desert Boots.

Quite what desert there were planning to cross in leafy Cheshire was uncertain but none the less these two were simply the coolest guys in the school.  “Steve” with his long hair even drove a late reg VW Beetle – click here to our previous post Volkswagen Beetle – an icon re-imagined – you can imagine he was already ice cool to me.

Assured not to be bitten by scorpions nor rattle snakes, Clarks Desert Boots to this day are an iconic and a highly flexible wardrobe essential that you can wear with jeans, moleskins or chinos and they will always look the part. Just avoid wearing in the rain – they are suede and, after all, are intended for deserts!

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C. & J. Clark International Ltd, (“Clarks”) was founded in 1825 by Quaker brothers Cyrus and James Clark in Street, (Somerset, England) where its HQ is still based – although manufacturing is now predominantly undertaken in Asia. Clark’s continues to be 84% family owned.

Since 1879 the Clark’s trade mark has been the distinctive Glastonbury Tor with the St Michael’s tower.

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The Desert Boot was launched in 1950 having been designed by the co-founders, James’, great-grandson, Nathan Clark, a serving British Army Officer based in Burma. It is said that the Desert Boot was based on the unlined boots made in the bazaar’s of Cairo for returning British Army Officers during the Second World War.

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Post War the Desert Boot saw adoption by the Mod Culture in UK, the Beatnik Culture in the US and were known to be a favourite of the Student anit-capitalist demonstrations in Paris in May 1968.

Why not be like Steve McQueen or Liam Gallagher and get a pair of Clarks original Desert Boots – please click the links below the images below to be directed to AMAZON – the two links show the full colour range available.

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Clarks Desert Boot, Men’s Derby, Braun (Cola Suede), 10 UK

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Clarks Originals Desert Boot, Men’s Derby Lace-Up, Brown (Brown Sde), 9 UK 43 EU)

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Images courtesy of C & J Clark International Limited

A Rare Rolex – The Submariner 6536

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Anyone who knows me will attest three things: I adore Rolex Submariners, I am truly fascinated by the processes of design and I am generally astonished by the extent that some people go to both understand their subject and display their knowledge.

The first is proven by the extent to which I have sung the praises of the iconic Rolex Submariner on many occasions in the pages of Aestheticons – see here a couple of our earlier pieces – Rolex Submariner and The Submariner

The second is fundamentally the reason that Aestheticons exists and I hope is amply demonstrated by our success amongst the likeminded.

Finally, and I cannot claim the credit here, which must go to Paul Altieri and the nice people at Bob’s Watches and Monochrome Watches – both who have links at the end of this piece. Their devotion to the study of the Rolex Submariner and are an illustration of why these fabulous watches have become virtually an “investment class” as would be understood by financial professionals.

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When we walk into a Rolex dealer or look at the array of excellent pre-owned models on-line we tend to be looking at the most readily and commercially available. There are few of us who will get the opportunity of seeing yet alone owning one of the often early and ultra rare version of Rolex’s iconic diver’s watch, the Submariner.

The Submariner with case number 6536 is a case in point. Given the time it now takes to bring a new version to market the early days of the Submariner were marked by an ability to introduce and retire models frequently. The 6536 is such a model. It was released in 1955 and made for just one year and I understand that only around 100 pieces were ever made.

So how can you identify a 6536? It features an unprotected 6mm crown – giving a 100m depth rating – with no side guards built into the case. Early – very rare versions – had the depth written in red ink on its face. Some ultra rare versions came with the Explorer dial but the majority featured a mix of round indexes and stick batons with the inverted triangle at 12 – as used in the modern Submariner. There are one or two specimens with the Arabic 3-6-9 markings of the Explorer.

The Explorer came with the same Mercedes-style hands that first joined the Submariner range from 1954. The very earliest models retained the longer types, with a minutes hand that overlapped the dial’s outer chapter ring, before being shortened at some point during the production cycle.

The 6536 was powered by the Cal. 1030, a 25-jewel automatic caliber first introduced in 1950 – you won’t find any with the ‘Officially Certified Chronometer’ text on the dial – it became a long terms Rolex favorite.

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Link to Paul Altieri’s of Bob’s Watches excellent piece here Rare Rolex Submariner

Ok so let’s understand what we mean by valuable – here’s the full link to Monochrome Watches detailed piece Valuing Rare Rolexes

 

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Running left to right in the above photo –

The 1955 Rolex SUBMARINER Ref. 6536 with Red Depth rating –
Rolex Submariner Ref. 6536 100m Red Depth Rating 5 digits serial number is for sale for €80.000

The 1955 Roles SUBMARINER Ref. 6536 with Ultra-Tropical “Explorer” dial
Rolex Submariner Ref. 6536 explorer dial ultra tropical and 5 digits serial number is for sale at €280.000.

The 1956 Rolex Submariner Ref. 6538 with “Big Crown” and Red Depth Rating – Legend has it that this is the one worn by Sean Connery in the James Bond 007 movie “Dr. No”is for sale at €175.000.

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Images courtesy of Bob’s Watches and Monochrone Watches.

Porsche 912

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Such are the concerns of a young company, intent on not completely destroying its core and growing market, by the introduction of a product that may take its already loyal audience too far, too quickly. This was the issue that faced the engineering and design teams at the Porsche business in 1963/4.

In 1963 Porsche’s plan was to launch the Type 911 – see our earlier post here Porsche 911 Targa  with its flat opposed six cylinder engine to succeed the very successful four cylinder 356 range that had been selling well for over a decade – see our earlier post here – Porsche 356 B Cabriolet Concerned that the hike in sales prices between the last 356 model and the incoming 911 – $5,500 in the US at launch – would prove too much for the developing market, an idea was mooted to widen the brand appeal by introducing of an entry level car with a body shell substantially similar to the 911 but with a low weight 1.6 litre four cylinder engine based  substantially on that of the 356 and a commensurately lower price tag.

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The bright, compact and hugely iconic Porsche 912 was overseen by Dan Schwartz and was, as a coupe, launched on 5th April 1965. The 912 was introduced to the US market at the New York Auto-Show in September 1965. At launch, the 912 coupe cost $4,000 in the US. It initially outsold the 911 by a margin of two-to-one!

The 912 was discontinued in 1969 as sales of the 911 seemed assured – yet the 912 returned to the US in 1976. The total production run of the 912 coupe was just under 30,000.

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Between 1966 and 1968 Porsche produced 2500 Targa body versions of the 912  – an absolute favorite of mine. The Version I was available until 1967 and had a zipper fixed rear window – hence its nickname, the “soft-window Targa”.

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From January 1968, the Version II became the “hard-window Targa” effectively giving the car a removeable roof.

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On 21st December 1966, 100,000th Porsche built was a 912 designed to be used by the German autobahn Polizei!

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In 1969, the 912 was succeeded by the 914 that was produced as a result of a joint venture with Volkeswagen – and never a favourite. In turn the 914 was discontinued in 1976 and the 912 was re-introduced to North America and styled the 912E.

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Although it shared the 911’s “G-Series” bodywork it had a 2.0 litre VW air-cooled engine – a true combination of Porsche flair and VW reliability. Total production of the re-introduced 912E was 2,100 with the majority sold in the USA.

First things first – you are definitely going to need an Owner’s Manual! Click the link below the image

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Porsche 912 Workshop Manual 1965-1968

Sometimes it pays to do your homework – what better place to start that this excellent 50th anniversary celebration of the iconic Porsche 912. Click the link below the image

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Porsche 912: 50 Years

Fancy a Visit to the Porsche Museum In Stuttgart? Access to the Porsche Museum can be seen here – via the Porsche Website here – Porsche Museum

Just in case you are not ready for the real thing, these scale and beautifully executed models – imported from Japan – are just perfect? In classic Irish Green or Red – Click the link below the image

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Tomica Limited Vintage Tlv-93b Porsche 912 (Green)

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Tomica Limited Vintage NEO TLV-93a Porsche 912 (red) 1965 formula

STOP PRESS

Our friends at Classic Driver – with grateful thanks for the add – and Designer Carl Gustav Magnusson have just added the following piece to the wealth of knowledge concerning Porsche 912 – enjoy!

CG Magnusson Re-imagines Porsche 912

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Images by courtesy of Porsche AG and RM Sotheby

Volkswagen Karmann Ghia

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I am giving serious thought to the expression “Favourite Car” in response to an enquirers question to name mine. Now, I thought I had a long-term and completely harmonious fictional relationship with a 1965 Porsche 911 Targa. See here our previous past Porsche 911 Targa 

No question my pulse quicken and my throat dries a little at the thought of those classic lines, that ticking engine and those long lazy sunny days mastering the hairpins down to La Corniche. Then, as if to upset the harmony of a steady relationship, a perfectly formed little nose nudges you and with winking classic headlights clears its throat and ask you if, perhaps with a little hesitation and possibly some disappointment, whether you have forgotten them.

They remind you of the mid-1970’s classic car magazine collection “On Four Wheels” – which to the best of my recollection ran for about three years and with each edition – after the usual “magazine-crack” two for one introductory offer – became increasingly more expensive. They remind you of this endless summer days with your childhood pal, Mike, when you’d visit car showrooms, argue about the merits of Italian cars versus German or French ones and write to “concessionaires” asking for brochures often to be inundated with coffee table sized promo materials featuring sleek new sleek Lamborghinis and Maseratis. Mike still has his collection of brochures stored in a garage – Ebay anyone?

One such car is Volkswagen’s iconic Karmann Ghia – especially the Cabriolet version. My Godmother has a hard topped version in grey and she was quite cool so that was how this pretty car became locked in my evolving psyche from the mid-sixties.

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The Volkswagen Karmann Ghia – based on the classic and mechanics of a first model Beetle – see our celebration of this amazing car here Volkswagen Beetle – an icon re-imagined –  was debuted as a design concept at the 1953 Paris Auto Show. Following launch, it was available in 2+2 coupe versions (from 1955 to 1974) and as a cabriolet (from 1957 to 1974).

The Karmann Ghia was a collaboration that featured the styling genius of Luigi Segre, of the legendary Turin based coach-builder, Carrozzeria Ghia (now owned by Ford), and the hand-shapes panelling  of German coach-builder Karmann – who VW had commissioned to develop the car. A massive success with over 445,000 cars built, the Karmann Ghia was extensively exported, particularly to the US market.

The VW Karmann Ghia Cabriolet was first introduced August 1957.

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The Cabriolet has, along with many cars in the VW range, been featured in a series of classic Doyle Dane and Bernbach (DDB) print media adverts in the 1950s and 60’s; so much so that DDB’s work with Volkswagen, who they have represented since 1959 (opening an office in Germany in 1961) was voted the No. 1 campaign of all time by Advertising Age’s 1999 “The Century of Advertising”.

A classic DD&B poster from the early 1960’s:

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In the early 1970’s, in response to increasing vehicle safety requirements, particularly in the US, the smooth chrome wrap-around bumpers were replaced with energy absorbing bumpers. By the mid 1970’s the model was phased out to be replaced, initially, by the Porsche 914 – never a particular favourite.

STOP PRESS: In the Gooding and Company Scottsdale Auction in January 2018 a 1963 hard topped version of the Karmann Ghia achieve a respectable $37,400 which whilst is not cheap does suggest that this fine German brand is an everyman collectible – see this lovely example and read here the Gooding and Company report Gooding and Company Karmann Ghia

Seen and loved the car – now get the T shirt – please click the AMAZON link under the image 

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VOLKSWAGEN KARMANN GHIA 1970 STENCIL MENS T SHIRT CLASSIC CAR (XXL(50-52), RED)

Read more about the history – here.

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Volkswagen Karmann Ghias and Cabriolets: 1949-1980

Essential mantelpiece material – a die cast model to keep those juices flowing!

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Minichamps 155054031 1:18 Scale “1970 VW Karmann Ghia Convertible Black” Replica Model Toy

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Karmann Ghia Type 14 Logo T-Shirt Oldtimer Car Cars Collector Driver Ralley Osnabrück Coupé Cabriolet 17156 – Grey – XX-Large

If you are lucky enough to find a Karmann Gaia in reasonable condition – and at a reasonable price – grab it! If successful you’ll need the iconic Haynes Manual to tell you just what to do to keep your beautiful car in fab condition.

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VW Beetle and Karmann Ghia (1954-79) Automotive Repair Manual (Haynes Automotive Repair Manuals)

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Images by West Coast Classics, Doyle Dane and Bernbach, Ara Howrani/Howrani Studios and Gooding and Company with grateful thanks