Deck Chair

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As the Summer swelter continues, up goes an impassioned plea “Lead me to my deck chair!!”.

The humble deck chair ….Perhaps? Or the well travelled ship’s “deck chair” – if this linen and teak could talk imagine the gossip it holds – from a Golden Era of luxury transatlantic ocean liner travel. Or the End of The Pier, seagull serenaded, fish and chips frying, spearmint rock munching of Brighton, Cromer or Southend – the World’s longest.

Called a Lawn Chair in the US, the Deck Chair has an illustrious history. It was the victim of some on board snobbery. Around the turn of the 20th century, first class passengers would typically enjoy the padded loveliness of a “Steamer” deck chair -Port Out Starboard Home – their legs raised and clad in a woolen rug, invariably sipping broth, if the climate demanded, whilst more lowly passengers would enjoy their trip on a slung hammock canvas and teak deck chair that could be positioned to follow the sun around the deck and be folded for easy stowage.

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The origins of the folding chair has its history in Ancient Greece, Rome and Egypt. More recently, patents were obtained in the 1880’s in the US and UK for the classic steamer chair. R Holman & Co of Boston (Mass) were the manufactures of the Steamer Deck Chairs that graced the deck of the SS Titanic. Of the 600 supplied only six survived – below is a shot of one.

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There is some debate as to the precise origins of the more rudimentary wooden framed version. Primarily it comprises two rectangualar wooden frames, hinged, with an adjustable back piece and a single length of canvas forming the seat and backrest. Some sources  attribute it to a British inventor, Atkins, in the late 19th Century whereas others credit its design to being similar to “The Yankee Hammock Chair” as advertised in 1882.  The name “Brighton Beach Chair” also seems to predate our currently understood use of “Deck Chair”.

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In my Grandmother’s house in Hertfordshire – I think it was 1976 – she had a row of Edwardian faded green canvas chairs which not only had arms and a footrest but also a large sun canopy that flapped in whatever pathetic excuse for a breeze we had that summer. I recall that the covers perished quite frequently and the local nurseryman supplied rolls of 18” wide canvass to restring your chair. The look was completed by a white parasol, two Lloyd Loom chairs – see our previous post here – Lloyd Loom Chairs – and a bentwood table covered in a circular linen tablecloth with a jug of iced lemonade and tall glasses covered in weighted net – to avoid the flies.

Similar products are still made today by people such as Southsea Deckchairs Southsea Deckchairs

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Images used with grateful thanks – Southsea Dechairs and The V&A Museum

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London’s Iconic Bridges – Vol 1

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Having lived away from London for the last few years, I am occassionally asked where I am from. There is no simple answer but really the place I feel most at home is London.

Whether London is sweltering in 30 degree temperatures or chilled by the “Beast from the East” it is the location of many of my most happy memories and I suspect I shall return for good one day.

Architecturally, London has spent years reinventing itself. From the horrors of post War Modernist utilitarian blocks to the gleaming chrome and glass of the City and Canary Wharf, this New London is starting to look really good again. Developments that have been in planning for years are realised and have turned derelict Thamesside into smart, if expensive, but hugely desirable riverside addresses.

The Battersea Power Station development, with its new tube station due to open in 2020, is a fine example – see our previous post about BPS here – Battersea Power Station.

The Thames, that flows West to East through London, its name deriving from Celtic and Latin sources meaning “dark” gives London its name. It is suggested that the roots of  Londinium means the flowing river or the wide flowing unfordable river. Inevitably this has meant that the Northern and Southern banks of this wide river require to be crossed by bridges. The bridges of London have spectacularly contributed to London’s skyline.

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The earliest and perhaps the most historically important bridge is the iconic London Bridge. The present concrete and steel construction was opened in 1973 and its modest form belies a history of several important bridges over nearly 2000 years.

The City of London and its south bank neighbour of Southwalk, assisted by sand, gravel and clay on the adjacent banks, have been connected by some form of timber pontoon or rudimentary bridge since around 55AD. There followed a succession of bridges, including the Old London Bridge which stood for around 600 years, being finally replaced in the early 19th century and then again in 1973.

The rumour that a Oil millionaire, Robert McCulloch, mistakenly paid $2.4m in 1967 thinking that he was buying the more impressive Tower Bridge has been subsequently denied. London Bridge was moved stone by stone – at a further cost of $7m – to its new home at Lake Havasu City in the US State of Arizona.

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In my modern love story with London, Albert Bridge has played a key role. It is simply the most iconic and beautiful bridge.

Many will know that it’s frail. A sign warns marching soldiers to “break step” whilst crossing and rumour has it that the timbers are being severely affected by dog urine thought to come from those mutts who end up running around Battersea Park on its south side. When lit by 4000 LED lights against a London summer evening’s sky it is magical, so much so that our kids when toddlers always called it the “Cinderella Bridge”.

Albert Bridge stretches over the Tideway of the Thames joining Chelsea to the North with Battersea to the South. In 1860 Prince Albert – the then Queen’s Consort – suggested a Toll Bridge be built to alleviate the congestion experienced on two adjacent Bridges – Victoria and Battersea – the owner’s of the profitable latter being bought off by Act of Parliament and a takeover once Albert Bridge was completed. It opened as a toll bridge 1871 but the concept was not a commercial success.

It was designed as a cable-stayed bridge and built by Rowland Mason Ordish a master architectural engineer with the Royal Albert Hall and St Pancreas Railway Station on his CV. A dozen years after its initial construction Sir Joseph Bazalgette, famed for his work on London’s sewerage and water system, added elements of a suspension bridge to improve its soundness.

In 1973 two concrete piers were added for extra stability. Given its unusual history and its striking majesty the bridge now holds Grade 2 listed status from English Heritage.

A narrow bridge its struggle with motorized transport is ongoing. On both the North and South approaches there are bollards that sit, I am told six feet apart, that account for many dents on the doors of passing “Chelsea Tractors”!

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The most recently opened of London’s iconic bridges was initially opened in June 2000. Informally named the Millenium Bridge it is a steel suspension bridge built at a total cost of £18.2m from a design by a consortium comprising the Arup Group and the firms of architectural knights Norman Foster and Anthony Caro. It won a RIBA competition for selection. It spans the Thames between Bankside and the City – below St Paul’s Cathedral – giving the bridge the most engaging aspect across the river.

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Within days it had closed and became known as the “Wobbly Bridge” due to its alleged swaying of pedestrians – a recently understood phenomenon. Two years later after extensive modifications with the addition of viscous-fluid dampers to increase its stability, it was re-opened in February 2002.

Image Credits – used with grateful thanks – “London Bridge at Night” by Alison Day/Flickr. “Albert Bridge” – A Travellers View http://www.trover.com Joe Parnis and http://www.MrSmithsworldofphotography.com, Millenium Bridge – Foster & Partners

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Rover Chair

Designed by Ron Arad 1981

Industrial designer, Ron Arad for his first piece of furniture design, combined two existing – but separate – pieces of car seating and a tubular frame to become the postmodernist Rover chair. The components were obtained from a scrapyard in North London’s Chalk Farm,

The red leather seat came from a Rover P6 which was produced from 1963 to 1977 and  if a 2000 cc engine was installed it was often known as the “Rover 2000”. The chair is held by a black painted curved steel frame – which history tells us came from a Kee Klamp milking stall built by Gascoignes in Reading since the early 1930’s

In 1981 you could buy an Arad Rover chair for £99.00 with originals now commanding thousands at auction.

Many of our followers will recognise the Rover chair from its prominence on the set of BBC TV’s “Top Gear” where it has appeared since 1988.

PS. I have recently been advised that the Green Chairs as used in “Top Gear” are not in fact Rover or Arad chairs. They are either Wolsey or Austin. Although they are regarded as being “after Arad” they appear not to be originals!